| A1 | Model 500 – |
No UFO's (D-Mix)
Written-By, Producer – Model 500 |
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| A2 | Reese – |
Just Another Chance
Written-By, Producer – Kevin Saunderson |
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| A3 | Mayday – |
Freestyle
Producer – Mayday Written-By – Derrick May |
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| B1 | Rhythim Is Rhythim – |
The Dance (The Living Room Mix)
Written-By, Producer – Derrick May |
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| B2 | R-Tyme – |
R-Theme (Mayday Mix)
Mixed By – Mayday Producer – Derrick May Written-By – D. Wynn*, Derrick May |
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| B3 | Cybotron – |
Clear
Written-By, Producer – 3070, Juan Atkins |
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| C1 | Reese – |
Rock To The Beat (Mayday Mix)
Producer – Kevin Saunderson Remix – Mayday Written-By – Saunderson*, Echols* |
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| C2 | X-Ray – |
Let's Go (Dub Mix)
Producer – Atkins* Written-By – May*, Atkins* |
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| C3 | Blake Baxter – |
When We Used To Play (Unreleased Mix)
Producer – Saunderson* Written-By – Baxter*, Saunderson* |
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| D1 | Seperate Minds* – |
First Bass
Producer – Seperate Minds* Written-By – Marc Kinchen |
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| D2 | Kevin Saunderson – |
The Groove That Won't Stop
Written-By, Producer – Kevin Saunderson |
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| D3 | Rhythim Is Rhythim – |
Strings Of Life (Unreleased Mix)
Written-By, Producer – Derrick May |
Liner-notes include interview with Kevin Saunderson, Juan Atkins and Derrick May on one sleeve.
On the other one is a text about the music of Detroit by John McCready and a short overview on KMS, Metroplex and Transmat
Mastered at J.T.S., London.
| Title, Format | Label | Cat# | Country | Year | ||
|---|---|---|---|---|---|---|
| Retro Techno / Detroit Definitive - Emotions Electric (2xLP, Comp, Promo, W/Lbl) | Network Records | RETRO LP1 | UK | 1991 | ||
| Retro Techno / Detroit Definitive - Emotions Electric (2xLP, Comp, RE, RM) | Network Records | RETRO LP1 | UK | 2008 | ||
| Retro Techno / Detroit Definitive - Emotions Electric (CD, Comp) | Network Records, Network Records | RETRO CD1, retrocd1 | UK | 1991 |
Derrick mentioned his old schoolmates, Kevin Saunderson and Juan Atkins. "They make music too", he said. "We call it Techno". A meeting was arranged. It seemed we might be able to sell some records. Mick Clark at 10 Records agreed to take a compilation of this strange music. In Detroit I needed one final track to complete the album. Kevin pulled out a box with "Big Fun" scrawled across it. The next tape he played was "Rock To The Beat". I told Kevin to get ready to quit university. He thought I was joking. Within 12 months Techno had established itself as the most enduring influence on dance music. The niteties began and this remaind the case. Suddenly life was all about tracking how many millions of sales Inner City had chalked up, video budgets and remixes. Techno had gone mainstream. Too many conversations were about money. This album is from a time when Techno was a secret society. Not many people knew the codes. A time when staying up all night in Derrick's studio-come-bedroom where the taxi cabs wouldn't go meant hearing "It Is What It Is" for the first time. "Freestyle", "No UFO's" and "Just Want Another Chance" followed. It was wonderful. Retro Techno rewinds to them. It is what it was. Emotions Electric indeed.
Neil Rushton 1991
- text taken from the sleeve cover of this compilation -