Fennesz I Sakamoto* – Sala Santa Cecilia
Label:
Touch – Tone 22
Format:
CD, EP
Country:
Released:
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Style:
Companies etc
- Recorded At – Auditorium Parco Della Musica, Rome
- Mastered At – Skye Mastering
- Phonographic Copyright (p) – Touch
- Phonographic Copyright (p) – KAB America
- Copyright (c) – Touch
- Copyright (c) – KAB America
- Published By – Touch Music
- Published By – KAB America
- Published By – EMI Virgin Music Inc.
Credits
- Mastered By – Denis Blackham
- Photography By – Jon Wozencroft
- Recorded By – Claudia Engelhart
Notes
A 19 minute overture recorded at the Auditorium Parco della Musica, for the Romaeuropa Festival, Rome, 28th November 04.
℗ & © 2005 Touch/KAB America.
Fennesz, Touch Music [MCPS].
Sakamoto, KAB America/EMI/Virgin Music Inc.
Made in England.
Digipak packaging.
Recommendations
-
Fennesz - Venice (CD, Album, Dig)
-
Fennesz, Sakamoto* - Cendre (CD, Album)
-
Fennesz - Field Recordings 1995:2002 (CD, Comp)
-
Fennesz - Black Sea (CD, Album, Dig)
-
Fennesz - Endless Summer (CD, Album)
▸ show all 1 review
Reviews & Discussion
An odd dud amongst mostly reputable and respected releases from the Touch label. This collaboration nearly seems a bit obligatory... considering the increased attention noise, drone, microsound and "modern composition" were receiving at the time. Sakamoto had experienced renewed wide acclaim due to his Alva Noto collaborations, and one with a both contradictory and complimentary electronic artist such as Fennesz seemed to make sense. However, the sounds on this record meander and don't arrive at any conclusion or purpose. It is a "nice" release, but its dynamism doesn't extend beyond that.
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