| A1 | Untitled | |||
| A2 | Untitled | |||
| B1 | Untitled | |||
| B2 | Untitled |
Mastered at The Exchange, Camden.
Pressed at MPO Averton.
Moved from the center thru the HPHQ/STHLM by C. Lekebusch.
| Title, Format | Label | Cat# | Country | Year | ||
|---|---|---|---|---|---|---|
| C-Theories (12", W/Lbl) | Code Red | CODE RED 04 | Sweden | 1997 |
In the label's true style, the release is relatively mellow, although don't expect the lush chords and Detroit pads found on the Beyer, Conceiled Project releases. Despite the Code Red aesthetic, Lekebusch still heavily relies on his intricate sound textures and implementing musical arrangements which can equally please DJs looking for some club material and living room heads seeking out that new gem.
I wouldn't say it is a milestone, at least not to the extent of the aforementioned stuff he did for Drumcode, but given the slightly more accessible nature of "C Theories", I'd say giving this a shot first wouldn't really hurt.
Check out the A2 tune for some totally tripped out reverberating tribal madness, effective use of demented synths and creating spherical soundscapes through applications of multiple, upon first listen even incompatible, effcts and tricks.
B1 is the most true to form, linear techno cut of the four. Repetitve, loopy synthetical patterns bounce from left to right and back over a conventional, tight 4x4 groove. Great stuff!