Depeche Mode - Violator

Label: Mute Records Ltd.
Catalog#: STUMM 64
Format: Vinyl, LP, Album
Country:UK
Released:16 Apr 1990
Genre: Electronic
Style: Synth-pop
Credits: Engineer - Alan Gregorie , Dennis Mitchell , Goh Hotoda , Peter Iversen , Phil Legg , Pino Pischetola , Steve Lyon
Engineer [Assistant] - Daryl Bamonte , David Browne , Dick Meany , Mark Flannery , Ricky (6)
Featuring [Performed By] - Alan Wilder , Andrew Fletcher , David Gahan* , Martin L. Gore
Mixed By - François Kevorkian (tracks: A1 to A5, B2 to B4)
Producer - Depeche Mode , Flood
Written-By - M.L. Gore*
Notes:Recorded & mixed at:
Logic Studios, Milan,
PUK Studios, Denmark,
The Church, London,
Master Rock Studios, London,
Axis, New York.
Rating: 4.78/5 (78 votes) Rate It
291 have this / 42 want this
4 for sale in the Discogs Marketplace

Tracklisting:

A1   World In My Eyes
A2   Sweetest Perfection
A3   Personal Jesus
A4   Halo
A5   Waiting For The Night
B1   Enjoy The Silence
    Mixed By - Daniel Miller , Flood
B2   Policy Of Truth
B3   Blue Dress
B4   Clean
User Reviews:
Alain_Patrick, Oct 03, 2005

"Violator" is known as the last of the golden albums by the team of four english producers of Depeche Mode - Gore, Gahan, Wilder and Fletcher. In 1990, when it was released, they were interviewed, and Martin Gore confessed that, when he looked back on their career, he realized in his opinion that they reached that point mainly by luck more than anything else, and that "they were totally naif in the beginning", they "didnt know what they were doing".
Is it true that this is an absolutely essential Synthpop masterpiece, but their work before couldnt be considered less than gorgeous. The fact is that the repertory of this album had everything necessary to become a legendary one: marvellous lyrics (specially in "World In My Eyes", introspectiveness ("Halo" and "Waiting For The Night" are deeply emotional), beautiful vocals of Dave Gahan and Martin Gore, some more dancefloor driven tunes ("Enjoy The Silence" was a smashing hit), or synth tunes with elements of rock brilliantly made (which was the case on "Personal Jesus"). The messages, the vocals, the synths, the atmospheres, everything was special in this long play, though their releases before wouldnt be different, for their older albums are a true legacy.
Never would Depeche Mode reach this kind of Synthpop work again, and not only them, its just like this chef doeuvre was the last of a generation, largely played on the clubs, the videos, during school day or in the lonelyness of a smooth night at home.

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Contributors to this data: TIM, Zyron, NovaFutures, donnacha, Main_Street, SmotheredHope, botanick