Analogue alright! The first track on the B side is a festive display of square sinewaves and rolling claps, while the second is slower and more housey, with a (perhaps overdone) vocal gimmick and a bassline that could remind one of Nervous Acid by Bobby Konders.
The long track on the A side plays in another league, though, with worrying vocals (they bear a resemblance to the nightmare sequence in John Carpenter's Prince Of Darkness), a cleanish, throbbing Acid line, a simple, yet efficient drum programming and a generally sticky atmosphere. Whereas the B side is rather likely to appeal to the crowds, A is much too sinister and paranoid for that. Directed towards a different kind of crowd, so.