| A | Right Off | 26:54 | ||
| B | Yesternow | 25:36 |
| Title, Format | Label | Cat# | Country | Year | ||
|---|---|---|---|---|---|---|
| Jack Johnson (LP, Album) | CBS | S 70089 (S 30455) | Netherlands | 1971 | ||
| A Tribute To Jack Johnson (CD, Album, RM) | Columbia, Legacy | COL 519264 2 | France | 2005 | ||
| A Tribute To Jack Johnson (LP, Album) | Columbia, Columbia | WCK 30455, KC 30455 | Canada | 1971 | ||
| Jack Johnson - Original Soundtrack Recording (Reel, Album) | Columbia | SR 30455 | US | 1971 | ||
| A Tribute To Jack Johnson (LP, Album) | Columbia | KC 30455 | US | 1971 |
The whole theme cruises around a Documetary movie about the Life of a black Boxer, Miles admired. The Producer was the experienced Teo Macero and the whole recording process only took an hour . The Band was already improvising ; John McLaughlin playing a guitar riff when Miles joined in at 2:13 minutes, checked the vibe and basically explodes on one of his longest, meanest , finest and most energetic Solos ever.
This set the tone for the rest of the session. It was the era of Jazz moving away from the Clubs and Hipster circles and becoming Pppualar , the enetgy was all around and Rock was leading the movement in music. Miles was ready to join in and had already sold millions of records to both his Jazzz Fans from the beginning and to the Rock Youth. Anyway. after 25 minutes of this powerful stuff you are not tired , but eager to hear more 1 Flip the baby over and get more of the same, in a less overwhelming haste, but as innovative, swinging and rocking. By chance Herbie Hancock, who wasn't a part of the Miles Davis Quintet by that time was in the Studio building and atracted by these enormous gooves joined in for the latter 15 minuts of Side B. The start of Side B is based loosely on James Brown's "Say It Loud, I Am Black And I'm Proud", later moving over to more mellow downbeats from the former Miles Davis Record Bitches Brew. Anyway- Most people wouldn't recognize these anyway (i read that on allmusic.com) . So enuff is said. If you just respect Miles Davis, John McLaughlin, Billy Cobham, Herbie Hancock or all of them look around for a copy of this petty obscure album and i bet you might love it ...