Frontline Assembly* - Artificial Soldier


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Label: Metropolis
Catalog#: MET 431
Format: CD, Album, Slipcase
Country:US
Released:20 Jun 2006
Genre: Electronic
Style: EBM, Industrial, Drum n Bass
Credits: Artwork By [Design, Illustration], Photography - Dave McKean
Engineer - Greg Reely
Keyboards - Bill Leeb (tracks: 4 , 5, 8 to 10) , Chris Peterson (tracks: 1 to 9) , Jeremy Inkel (tracks: 1, 3 to 5, 7 to 9) , Rhys Fulber (tracks: 1 to 3, 6, 8, 10)
Keyboards [Additional] - Rhys Fulber (tracks: 7)
Mastered By - Brian 'Big Bass' Gardner*
Mixed By - Greg Reely
Producer - Bill Leeb , Chris Peterson (tracks: 1 to 9)
Producer [Additional] - Jeremy Inkel (tracks: 1, 4, 8) , Rhys Fulber (tracks: 3)
Producer [Initial] - Jeremy Inkel (tracks: 3, 5, 7, 9) , Rhys Fulber (tracks: 1, 2, 6, 8, 10)
Programmed By - Chris Peterson (tracks: 1 to 9) , Jeremy Inkel (tracks: 1, 3 to 5, 7 to 9)
Programmed By [Additional] - Chris Peterson (tracks: 10) , Rhys Fulber (tracks: 3)
Vocals - Bill Leeb (tracks: 1 to 7, 10)
Notes:Engineered and mixed at The Green Jacket Studios.
Mastered at Bernie Grundman.
Design, illustration, and photography @ Hourglass.

Packaged in jewel case with cardboard slipcover.

Track 10 contains an additional hidden track, Fawnchopper.
Rating: 4.31/5 (62 votes) Rate It
238 have this / 15 want this
4 for sale in the Discogs Marketplace

Tracklisting:

1   Unleashed (5:17)
2   Lowlife (5:30)
3   Beneath The Rubble (6:26)
4   Decsention (6:07)
    Guitar - Jared Slingerland*
5   Buried Alive (5:30)
6   Dopamine (6:31)
    Guitar - Adrian White (2)
7   Social Enemy (5:23)
8   Future Fail (6:11)
    Vocals - Jean-Luc De Meyer
9   The Storm (5:12)
    Keyboards [Additional Keyboards] - Eskil Simonsson
  Vocals - Eskil Simonsson
10a   Humanity [World War 3] (6:04)
10b   Fawnchopper (7:35)
User Reviews:
FormidDominatus, Mar 28, 2007

Front Line Assembly, over the years, had steadily been on one of the most remarkable musical progressions of any act in the industry. It began on Millennium, as a hard, guitar-driven metal/industrial amalgamation that would spawn many similar groups (especially Hanzel Und Gretyl), and dissolved all the way down through Implode, Epitaph, and the unheralded masterpiece Civilization into a kind of euphoric, lethargic ethereal-industrial mixture. After Civilization, FLA had tested the waters so thoroughly and authoritatively that all they had left to do was start over.

Thats what Artificial Soldier is. It is Front Line Assembly realizing that it has nothing left to do musically except fill its role and deliver one hell of a record. Its reminiscent of Metallicas journey in the 1980s from hard-line metal band, to progressive anthemic metal band, and back. Like that Black Album, every track on Artificial Soldier is an entity unto itself. Bill Leeb just has fun, making industrial the way he did all through the 80s, but with the technological fixation of Epitaph. The synths therefore dont run together in sound like they did during his earlier works, and Artificial Soldier stands up with the best of those pioneering works. Because it does not cover any new musical ground, like Civilization or Millennium did, it can hardly be considered a masterpiece, but it is one of FLAs strongest albums from start to finish; Artificial Soldier is purely and simply the latest in Bill Leebs long line of industrial monsters.

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