Richie Hawtin - Mixmag Live! Volume 20 |
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Tracklisting:
| 1.1 | Lausen | Dry Ray |
| Written-By - Lausen | ||
| 1.2 | G-Man | Quo Vadis |
| Written-By - G-Man | ||
| 1.3 | Octave One | Empower |
| Written-By - Burden* , Burden* , Burden* | ||
| 1.4 | Mark Broom | Jump |
| Written-By - Mark Broom | ||
| 1.5 | Teste | The Wipe |
| Written-By - Huren , Cru* | ||
| 1.6 | Fred Fresh* | 5 Mouths |
| Written-By - Fred Fresh* | ||
| 1.7 | Goio | Basic Needs |
| Written-By - Goio | ||
| 1.8 | FUSE* | Substance Abuse |
| Written-By - Richie Hawtin | ||
| 1.9 | Plastikman | Spaz |
| Written-By - Richie Hawtin | ||
| 1.10 | Plastikman | Helikopter |
| Written-By - Richie Hawtin | ||
| 1.11 | Dwarf | Percussion Electrique |
| Written-By - Maurits Paardekooper | ||
| 1.12 | Plastikman | Spastik |
| Written-By - Richie Hawtin | ||
| 1.13 | Akilah Bryant | Eye Trip |
| Written-By - A. Bryant* | ||
| 1.14 | X-Trak* | Toddsines |
| Written-By - Toddsines* | ||
| 1.15 | Naughty & Tolis | Electricity |
| Written-By - Naughty / Tolis* | ||
| 1.16 | Tobias Schmidt | Dollar |
| Written-By - Toby Smith* | ||
| 1.17 | DBX | Live Wire |
| 1.18 | Too Funk | Venus Fly Trap |
| Written-By - J. Underwood* , M. Wyatt* | ||
| 1.19 | Synchrojack | Cash Machines |
| Written-By - D. Slydell* , G. Wheeler* | ||
| 1.20 | Paul Hannah | Key Follow |
| Written-By - Paul Hannah | ||
| 1.21 | Sensorama | Harz |
| Written-By - Joern Elling Wuttke* , Roman Fluegel* | ||
| 1.22 | Ramon IV* | Altes Testament |
| Written-By - Roman Fluegel* | ||
| Plastikman - Musik (CD, Album) | Richie Hawtin & John Acquaviva - X-Mix-3 - Enter: Digital Reality! (CD) | Plastikman - Sheet One (CD, Album) | Richie Hawtin - Decks, EFX & 909 (CD, Comp, Mixed) | Richie Hawtin - Minus Orange (12") |
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EDJ303, Sep 22, 2003 Though recorded in the studio rather than at an actual live performance, Mixmag Live! comes close to being the equivalent of a shortened version of Hawtins all-night performances. Consisting of 22 tracks — including a few signature tracks — Mixmag Live! clocks in at nearly an hour, as Hawtin gives each track only a short moment before adding the next, often overlapping multiple tracks. At times the results are mind-blowing, as only the most knowledgeable listener can distinguish one from another, when multiple tracks are layered, or when the next track enters. The abundance of thumping bass beats and body-moving rhythm will surely please listeners who view techno as a means to dancing, but it may be a little too sensory-overloading for listeners accustomed to the calming sounds of other Plastikman albums, such as Consumed or Musik. The highlight of the album comes about a third of the way through, when Hawtin drops a montage of percussive symmetry with the trilogy of 909-driven tracks from the early 90s, "Spastik," "Spaz," and "Helikopter."Was the above review useful to you? (report)