marcelrecords, Nov 30, 2007
The utter clarity of Gaskin's voice, the erratic songwriting and many interesting and imaginative arrangements, these all seem to peak on this their third and last album. The sadness and despair, already strongly present on their previous efforts, come to a head and now sound chillingly urgent. The contributions of Henry Lowther's trumpet also work wonders, greatly so in ''The Furthest Point'', a minor classic all by itself. Boasting not one single under-average track, this record belongs to the very top of Britain's seventies folk-rock.