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Appleblim And Peverelist - Soundboy's Ashes Get Hacked Up And Spat Out In Disgust EP/ Reviews
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Appleblim And Peverelist - Soundboy's Ashes Get Hacked Up And Spat Out In Disgust EP Review by zodiakk Sep 23, 2008
Great soundtextures, great basslines, great atmosphere and absolutely SICK artwork. The sounds here slowly slips into your subconsciousness. Although it may differ from the more sweaty dub explorations on the label these tracks are just as mesmerizing and hypnotic. The feeling of space is especially present on the aptly-titled 'Circling' where the washes of sound seem to circle up into the mists of time. 'Over Here' uses the same recipe, but ends in ambient bliss during the last 2 minutes or so. I really think this EP is a highpoint for the Skull Disco label.
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Rated 5/5
Appleblim And Peverelist - Soundboy's Ashes Get Hacked Up And Spat Out In Disgust EP Review by dogdream Jul 05, 2008
Man, does it get any better than this?! Appleblim and Perverelist need to work together more often, they've managed to perfectly wed dubstep and super-deep dubby techno into two tracks that outshine the individual output of both artists and reach well beyond the confines of the genres that make them up.

The atmosphere is ever present here, invoking mental images of huge wide open spaces, layered with perfectly sculpted bass throbs and massive echoes while maintaining a dark minimalistic sound throughout. With utmost attention having been paid to the smallest details, each echo seems to have been given its own lease on life, unique in character and personality, giving an almost organic feel the the tracks which run near 9 minutes apiece. While "Circling" on the A-side is somewhat faster and darker with an infectious danceable break underlying, "Over Here" on the flip slows it down a bit and evolves a 'Basic Channel'-esque sound with long drawn-out (and tripped-out) harmonic horn layers, the whole of which sounds almost orchestrated in its razor sharp and highly precise delivery. The smokers and home listeners out there will love it.

I think one of the things that stand out the most on this release is the sheer restraint involved, there's no impulse to floor you with insane over-layered bass or intense breaks right from the get-go and very little pandering to any genre specific sound. This love child stands on it's own: it is what it is and it's god-damned good at it. One of the top releases of the year in my books.
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