Pretty and thumping tech-house from Plastic City, this time in the form of Greek artist George Pallikaris, as known as G-Pal. The tracks on LIFE merge his ambient leanings (as can be heard on his album SILK on Elektrolux) with a solid beat, and I think the beat grounds the dreamier elements (immediately evident on "More Than Beautiful" and "Aegan Sea") to keep them from getting cheesy. The title track has a tinkling smoothness that permeates the whole album. For instance, the tabla-laden promises of “Breathe (Interlude)” give way to the mellow tribalism of “Black Lights”; “Morning Lights” blips around with some quiet vibraphones in the background. The final track, “After Life,” tosses in some breaks for fun, taking out the album on slightly different note.
Pretty and thumping tech-house from Plastic City, this time in the form of Greek artist George Pallikaris, as known as G-Pal. The tracks on LIFE merge his ambient leanings (as can be heard on his album SILK on Elektrolux) with a solid beat, and I think the beat grounds the dreamier elements (immediately evident on "More Than Beautiful" and "Aegan Sea") to keep them from getting cheesy. The title track has a tinkling smoothness that permeates the whole album. For instance, the tabla-laden promises of “Breathe (Interlude)” give way to the mellow tribalism of “Black Lights”; “Morning Lights” blips around with some quiet vibraphones in the background. The final track, “After Life,” tosses in some breaks for fun, taking out the album on slightly different note.