4th album of the collection of Vladimír Hirsch´s solo works, created 2006. Musicians: Vladimír Hirsch -pianos, electronic keyboards, digital technique, programming, mix; Martina Sanollová, Dominika Karčovská - vocals; Czech Integrated Ensemble & choir.
The album Exorcisms (opus 61/II) was created in 2006 as another monolithic work in spirit of the author´s original conception of integrated (dark ambient neoclassical) music with further evolution in the characteristics of composition style towards more complicated inner articulation of music pieces whose structure oscillates between tense or martial elements and music imagination of all absorbing ungraspable space doubtlessly demonstrating the author´s existential dialog between inner weight of physical reality and admiration for immeasurable atributes of spirituality in human. Then, that “cosmic” element is of various intensity, allegorically expressing some kind of philosophical antithesis in confrontation between spiritual and materialistic world representing by its characteristics the space of our mind in opposition to the monodimensional limitation of our thinking by load of the matter. One could call this album a ripe resultation of the author´s struggle for further music dimension in the system of “order in chaos” and another new step in its specific dark ambient classical or better said post-industrial dark ambient non-classical integration.
The album Exorcisms (opus 61/II) was created in 2006 as another monolithic work in spirit of the author´s original conception of integrated (dark ambient neoclassical) music with further evolution in the characteristics of composition style towards more complicated inner articulation of music pieces whose structure oscillates between tense or martial elements and music imagination of all absorbing ungraspable space doubtlessly demonstrating the author´s existential dialog between inner weight of physical reality and admiration for immeasurable atributes of spirituality in human. Then, that “cosmic” element is of various intensity, allegorically expressing some kind of philosophical antithesis in confrontation between spiritual and materialistic world representing by its characteristics the space of our mind in opposition to the monodimensional limitation of our thinking by load of the matter. One could call this album a ripe resultation of the author´s struggle for further music dimension in the system of “order in chaos” and another new step in its specific dark ambient classical or better said post-industrial dark ambient non-classical integration.