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Name: Dinendal Home Page: www.myspace.com/lokispiral Member Since: Nov 12, 2003 Rank: 14 Rated 742 releases, average: 3.66 Location: Wherever I'm supposed to be Profile: The eternal journey into electronic music started out in the early 80's with New Order, Depeche Mode and Cabaret Voltaire. Fast forward a few years and my tastes changed upon discovering various mind expanding things. I found myself being blown away by the Orb, Mixmaster Morris and The Future Sound of London etc. I thought at this point music had reached it’s pinnacle of evolution! Naturally I was wrong it continues to evolve! These days I still love techno and acid techno also minimal, dub the list could go on... | |
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100.0% positive
(15 ratings)
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Global Communication - 76:14 - 06-Nov-04 06:31 AM
This is a fantastic album from the era when ambient was at its peak, rank this alongside works like The Orb's Adventures Beyond The Ultraworld, KLF's Chill Out. Those who know of Tom Middleton will probably know of his work as Cosmos (spacey lovely house), Jedi Knights (nu-school breaks which inspired the likes of Adam Freeland) and his Sound Of The Cosmos mix (which is a blinding exercise in breaks, house and downtempo spread over 3CDs) ... or perhaps the even later Global Communications tracks The Way / The Deep which explored funky cosmic house. This, however, is as far detatched from the housey Middleton as possible. 76:15 follows the 'swirling ambience' template, beatless, seamless and atmospheric ... taking you on a journey from one end of the CD to the other. Take 9:39 for example, full of deep space cosmic bleeps, a hypnotic 'warrooooooom!' bass pulse, and eerie choral synths. Definately swirling ambience. There are some astoundingly beautiful moments on here too. 14:31 is plain gorgeous, a slowly ticking clock keeps the beat of the track while lush orchestral synths create a gorgeous uplifting mood. Its not all totally beatless, 9:25 has a gentle break that helps the track move along. Think Orb's Supanova At The End Of The Universe and you're pretty much there. 7:39 features almost Plaid-y Warp style synths, while 8:07 and 5:23 work hypnotic keys over deep pulsing Sasha style bassline stabs. 12:18 finishes off the album with more dramatic orchestral synth action like in 14:31 ... a top closer.
As you can tell, the entire album is named after the sum of its track times, with each track named after how long it is. Apparently to stop the listener having preconceptions about how the music sounds before they listen to it. A nice idea, this is an album you make your own concept for, your own story ... as opposed to The Orb's journey from Earth to the Ultraworld.
Henry Cullen
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DJ Geraldine - Fast Food EP - 15-Apr-04 06:28 AM
Two good tracks here the first tune on a more minimal tip sounds like it’s borrowed a sample or two from his earlier work on Smitten Recordings from the "Dig Your Own grave EP" under his Dave the Drummer pseudonym.
The next and funkier of the two cleverly uses the sample from the tune "Money" I've no idea the source of the sample perhaps it was sung by DJ Geraldine. Anyway this is my personal favourite of the two as it’s quite uplifting and nice to mix from a DJ point of view.
