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Name: Julian Firkins
Member Since: Nov 05, 2002
Rank: 9460
Average Vote Received: Correct (4.28, 318 votes)
last 10 days: Correct (3.92, 24 votes)
Rated 2290 releases, average: 4.27
Location: Englishman in Brussels, Belgium
Profile: Friendly Discogs Moderator since 6th Oct 2004
Me?: If it's got rhythm, I'll like it. Especially if it's electronic. Focused, I'm not; open-minded, definitely. Breaks, big beat, electro, techno, 80s synth pop, italo disco, ambient, broken beats, 70s soul & funk, film scores, detective series theme tunes, Jazzanova, Cinematic Orchestra, Jaga Jazzist, The Bays.
In my spare time I DJ around Brussels and sometimes further afield (Beckenham, UK; Christchurch, New Zealand, for example). Most of the venues I play (pubs and yes, the occasional wedding! *Smirking right back atcha*) require a mish-mosh of crowd-pleasers, firmly on the cheesey side, but I sneak in stuff more to my taste when I can...
I do have some vinyl and recently got 2 Technics for practicing, but most of my collection is original CD (around 3000). So I have 2 Pioneer CDJ-1000s and a DJM-600 for my DJing exploits.
Sorry, I'm not selling or trading any of my collection.
As a rule, I don't rip or burn CDs.
If you can make me a good offer on something in my Wantlist... I might be interested!
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Trustworthy Discogs Sellers I've bought from:
Josephschembri
BUNKERHEADZ
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AnalogAutomat
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WaxFinderGeneral
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Buyer Rating:
100.0% positive
(58 ratings)
Jooles's groups (20)
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Reviews:
L.T.J. Bukem* - Horizon / Rain Fall - 23-Apr-08 07:57 AM
This was released in 1995, epitomising that "intelligent Drum n Bass" sound of the time: lush melodies and trancey moods, underpinned by breakbeat rhythms. However, rewind a year earlier to 1994 and take a listen to "Sunflash", the first track on Lemon Sol's album "Environmental Architecture". You'll very likely spot a not-insignificant resemblance to those sweeping, lush melody structures on "Horizons"; as in: they're exactly the same!
Ah yes; clever (and uncredited) pillaging by Mr Bukem, for sure.
Freeloaders (2) - 10-Apr-06 09:53 AM
These N-Trance chaps are certainly astute businessmen, if nothing else. Sampling is one thing. Clever sampling is another. But completely ripping off someone else's clever sample is just cheaper than cheap.
Thomas Bengalter and Stéphane Quême as Together sampled "Love's Such A Wonderful Thing" by The Real Thing to great effect on their 2002 release "So Much Love to Give".
Just 3 years later, these N-Trance "Freeloaders" steal not only the sample, but the way it was sampled and even the goddam title; AND make shedloads in the process. Cheeky, cheeky, very cheeky.
Alan Braxe & Fred Falke - Intro - 18-Jan-06 05:13 AM
Possibly interesting trainspotter factoid #451: Alan Braxe and Fred Falke weren't the first to sample that little snippet of 'Crush On You' by The Jets. Almost 10 years before, The Orb used the exact same sample in their 'Buckets & Bongs Mixture' remix of 'Fast Forward The Future' by Zodiac Youth. They were slightly more subtle about it though, only using it the once.
Tim Love Lee* - The Trip Created By Tim Love Lee - 10-Jan-05 07:15 PM
An incredible genre-busting DJ mix from Tim 'Love' Lee. The first CD is more up-beat and funky, with clever use of the sampler to keep some of the tracks segued nicely. He pays cheeky reference to TC 1991's "Funky Guitar" with his mix of The Jacksons' "Hum Along And Dance" and Third World's "Cross Reference". The 2nd CD is certainly more chilled, with quite a folky, prog rock feel to it. Jam-packed full of juicy morcels, some recognizable, some rare, but many plundered by both the house and hip-hop scenes, making this a DJ mix to learn from.
Mylo - 29-Nov-04 01:40 AM
Having seen Mylo perform a good set at Pukkelpop festival this year, I was looking forward to seeing them live at I Love Techno, Gent, Belgium, 13th Nov 2004. Myles McInnes (the man behind Mylo) on keyboards / guitar, was accompanied by a bass player and a guy on fx/mixer. Sadly, the only way to sum up their performance is "extremely disappointing". Mr McInnes spraying the audience with champagne, like they'd just won the Formula 1 Grand Prix, BEFORE they'd even started their set, was not a good sign. And it basically went downhill from there. Frequent technical problems with their backing track meant they had to abandon 3 or 4 of their songs in mid-performance. Embarrassed, muffled apologies from an inebriated McInnes didn't help matters either. The quality of the sound itself gave me the distinct impression that the champagne was flowing way to freely amongst the sound engineers too. It all seemed very much as though the recent successes had gone right to their head. Disjointed, lacklustre, embarrassing. What a sham(e).
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