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Whirlpool Productions - From: Disco To: Disco (Part 2) - 21-Nov-06 06:53 AM
Wighnomy Brothers rmx is the winner on this release. Groovy crisp shuffling percussion, beautiful stabs and bassline, and some of the worst singing I've ever heard on a track. The first verse is sung perfectly so you're thrown off in the beginning, it's a very disco-styled joint till everyone in the studio joins in off-key and off-time. They even start laughing at their poor effort. It's fantastic and I find myself bursting out into a massive grin and pissing myself laughing everytime I hear the song. Now to see if I can get a crowd to sing along...

Henrik B - 13-Nov-06 04:00 AM
Um, what happened? Did aliens kidnap the Henrik B I know and love and replace him with some evil doppleganger? 'cause this new stuff surely doesn't sound like the Drumcode & Mad Eye producer I adore. This new electro-house might be the in-thing in 2006, but is it worth ditching your past (and your coveted techno.org website) for?

Claude VonStroke - Deep Throat - 11-Aug-06 04:30 AM
Is it just me that's been obsessed with this track in both incarnations for the past year and a half? I don't think so considering it's been repressed god knows how many times, and has been re-licenced to a French label. But who's surprised? The Original slices a deep growling voice into a catchy hook with a swinging tech-house beat, and then John Tejada pulls out the acid for a massive soujourn through synth lines and round bass hits.

Two thumbs up.

Timo Maas - 12-Jan-06 01:29 AM
Timo Maas first got me into non-commercial dance music with his big-room stormers like "Der Schieber", "Riding on a Storm" and his earlier material. It seemed as if the quality of his releases seemed to slip post-Perfecto though, and I must admit that I haven't been a fan for years. He played NYE in Melbourne in 2002/2003, and that gig sealed his fate in my mind.

Where's the tech Timo?

Joris Voorn - Future History - 23-Jun-05 11:54 PM
I must agree... I'd listened to Year of the Monkey in many sets before, and it was one of the tunes I was so glad to be getting in the double LP. But it's not just a new vocal, it's got new percussion as well... it used to be more stripped back, which is the sound I prefer.

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