I don't often pop up in these places and probably won't again for a very long time. But I'm compelled to clarify a few misinterpretations. The tracks on the blue and the red were composed deliberately to exploit lofi sonic charcteristics and analogue signal processing of synths and drum machines thru audio inputs of certain other analogue synths. You have to remember that these were made at a time when there was nothing else around to resemble that style and that they defined a whole genre of faster acid and techno music with deliberate use of distortion - Notably on the drums as well as the B-Lines. At the time everything was 120 -128bpm and these were rocking out at 150bpm. Of course they sound rough and dare I say dated - but that's because so many producers took the formula and refined it later on. Without these benchmark recordings a whole scene might never have happened and that is why they are cherised and traded for silly prices. I played these recordings at a party in London, November 2005 and they tore up the dancefloor so that's not bad for a bit of blue and red grunge is it - that are probably almost as old as alot of people writing about them... MD

All the tracks on this release were recorded live to cassette tapes mainly between 1990 and 1991 with a few later ones in 1992. Macrocosm was released on Rephlex CAT010 E5 before the R&S Release. It was a single sided 5th side to the Vinyl LP released as a LTD Ed 12' (1000 copies). There are also 1000 LTD Ed Blue Vinyl Copies floating around of the Double LP. MD