The first Rude 66's "The Devil's Beat" is a nice Ruud-synth sound, with Shaunna's speak and spell vocals. It is close to turn disco, but more deeper with his slow-motion-euphoric mood.
Composite Profuse's track is a little bit too happy way to send-off something. Drexciyan way to pleasure with typical soundscapes of the labelboss.
The Mick Wills "Guerra Della Danza" - sounds like the trumpets of Quirinus, silver-flamed wich rolling through my guts and out again, crunched like candy thunder. It was like a bird of rarest spun heaven metal or like silvery wine flowing in a space ship, gravity all nonsense now. As I listened, I knew such lovely pictures. There were veeks and ptitsas laying on the ground screaming for mercy and I was smecking all over my rot and grinding my boot into their tortured litsos and there were naked devotchkas ripped and creeching against walls and I plunging like a shlaga into them.
Feedback's "Sudden Ionospheric Disturbance" use the routine deep- and trippin elements of MinimalRome sounds
Composite Profuse's track is a little bit too happy way to send-off something. Drexciyan way to pleasure with typical soundscapes of the labelboss.
The Mick Wills "Guerra Della Danza" - sounds like the trumpets of Quirinus, silver-flamed wich rolling through my guts and out again, crunched like candy thunder. It was like a bird of rarest spun heaven metal or like silvery wine flowing in a space ship, gravity all nonsense now. As I listened, I knew such lovely pictures. There were veeks and ptitsas laying on the ground screaming for mercy and I was smecking all over my rot and grinding my boot into their tortured litsos and there were naked devotchkas ripped and creeching against walls and I plunging like a shlaga into them.
Feedback's "Sudden Ionospheric Disturbance" use the routine deep- and trippin elements of MinimalRome sounds