:format(jpeg):mode_rgb():quality(40)/discogs-images/R-112605-001.jpg.jpg)
Tracklist Hide Credits
| 1 | Stymie's Theme | 0:13 |
| 2 | Sons Of 3rd Bass | 4:46 |
| 3 | Russell Rush | 0:24 |
| 4 |
The Gas FaceCo-producer – 3rd Bass, M.C. Serch*, Pete Nice*Engineer – Curt Fresca*Producer – Prince PaulRap [Uncredited] – Zev Love XWritten-By – D. Dumile*, Prince Paul |
3:49 |
| 5 | Monte Hall | 5:26 |
| 6 |
Oval OfficeCo-producer – 3rd Bass, M.C. Serch*, Pete Nice*Engineer – Nick SansanoProducer – Eric "Vietnam" Sadler*, Hank Shocklee, Keith Shocklee |
3:32 |
| 7 | Hoods | 0:17 |
| 8 | Soul In The Hole | 3:49 |
| 9 | Triple Stage Darkness | 4:10 |
| 10 | M.C. Disagree | 0:44 |
| 11 |
Wordz Of WizdomEngineer – Chuck Valli |
6:31 |
| 12 |
Product Of The EnvironmentEngineer – Mark Mendelbaum*Producer – 3rd Bass, M.C. Serch* |
6:15 |
| 13 | Desert Boots | 0:21 |
| 14 |
The CactusProducer – Mr. Puffy McScruffy |
4:40 |
| 15 | Jim Backus | 0:04 |
| 16 |
Flippin' Off The Wall Like Lucy BallProducer – 3rd Bass, M.C. Serch* |
3:16 |
| 17 |
Brooklyn-QueensWritten-By – Prince Paul |
3:37 |
| 18 |
Steppin' To The A.M.Co-producer – 3rd Bass, M.C. Serch*, Pete Nice*Engineer – Nick SansanoProducer – Eric "Vietnam" Sadler*, Hank Shocklee, Keith ShockleeWritten-By – E. Sadler*, H. Shocklee*, K. Shocklee* |
4:50 |
| 19 | Episode #3 | 0:11 |
| 20 | Who's On Third | 0:59 |
| 21 | Wordz Of Wizdom (II) | 7:56 |
Companies, etc.
- Pressed By – DADC
- Copyright (c) – CBS Records Inc.
- Phonographic Copyright (p) – CBS Records Inc.
- Manufactured By – Columbia Records
- Manufactured By – CBS Records Inc.
Credits
- Art Direction, Design – Howard Zucker, Drawing Board Graphics*
- Edited By – Adam Gazzola (tracks: 11, 12, 20, 21), Steve Ett (tracks: 2, 5, 8, 9, 16)
- Engineer – Bruce Buchalter (tracks: 8, 11, 12), Greg Gordon (tracks: 2, 5, 9, 14), Kevin Reynolds (tracks: 5, 8, 9, 12, 14, 16, 20, 21)
- Producer – Prime Minister Pete Nice (tracks: 1 to 3, 5, 7 to 17, 19 to 21), Sam Sever (tracks: 2, 5, 8, 9, 11, 12, 14, 16, 20, 21)
- Written-By – M. Berrin* (tracks: 2, 4 to 6, 8, 9, 11, 12, 14, 16 to 18, 20, 21), P. Nash* (tracks: 2, 4 to 6, 8, 9, 11, 12, 14, 16 to 18, 20, 21), S. Citrin* (tracks: 2, 5, 6, 8, 9, 11, 12, 14, 20, 21)
Notes
Assorted samples:
Track 1 is an uncredited sample of "Good Old Days" by Leroy Shield
Track 2 has an uncredited sample of "Spinning Wheel" by Blood, Sweat & Tears
Track 4 has an uncredited sample of "Think" by Aretha Franklin
Track 6 has an uncredited sample of "Pump Up The Volume" by M|A|R|R|S
Track 8 has an uncredited sample of "Rise" by Herb Alpert
Track 9 has an uncredited sample of a sample from "Rubber Ring" by The Smiths
Track 11 has uncredited samples of "Love Is Alive" and "Dream Weaver" by Gary Wright
Track 16 has an uncredited sample of "Way Down In The Hole" by Tom Waits.
Track 17 has an uncredited sample of "Best Of My Love" by The Emotions
Track 18 has uncredited samples of "Time" by Pink Floyd, "The Bird" by The Time and "Time To Get Ill" by Beastie Boys
Track 20 has a sample of Abbott & Costello
Track 21 has an uncredited sample of "Never Let Me Down Again" by Depeche Mode
Track 1 is an uncredited sample of "Good Old Days" by Leroy Shield
Track 2 has an uncredited sample of "Spinning Wheel" by Blood, Sweat & Tears
Track 4 has an uncredited sample of "Think" by Aretha Franklin
Track 6 has an uncredited sample of "Pump Up The Volume" by M|A|R|R|S
Track 8 has an uncredited sample of "Rise" by Herb Alpert
Track 9 has an uncredited sample of a sample from "Rubber Ring" by The Smiths
Track 11 has uncredited samples of "Love Is Alive" and "Dream Weaver" by Gary Wright
Track 16 has an uncredited sample of "Way Down In The Hole" by Tom Waits.
Track 17 has an uncredited sample of "Best Of My Love" by The Emotions
Track 18 has uncredited samples of "Time" by Pink Floyd, "The Bird" by The Time and "Time To Get Ill" by Beastie Boys
Track 20 has a sample of Abbott & Costello
Track 21 has an uncredited sample of "Never Let Me Down Again" by Depeche Mode
Other Versions (5 of 27) View All
| Cat# | Artist | Title (Format) | Label | Cat# | Country | Year | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 314 527 361-2 | 3rd Bass | The Cactus Cee/D (The Cactus Album) (CD, Album, RE) | Def Jam Recordings | 314 527 361-2 | US | 1995 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 466003-1 | 3rd Bass | The Cactus Al/Bum (The Cactus Album) (LP, Album) | CBS | 466003-1 | Australia | 1989 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 466003 2 | 3rd Bass | The Cactus Cee/D (The Cactus Album) (CD, Album) | Def Jam Recordings, CBS Records | 466003 2 | Australia & New Zealand | 1989 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| none | 3rd Bass | The Cactus Album (Cass, Album, Promo) | Columbia Records | none | US | 1989 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 542 426-2 | 3rd Bass | The Cactus Cee/D (The Cactus Album) (CD, Album, RE, RM) | Def Jam Recordings | 542 426-2 | Europe | 2000 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Recommendations
Reviews Show All 4 Reviews
:format(jpeg):quality(40)/discogs-avatars/U-3661168-1617305081.jpeg.jpg)
:format(jpeg):quality(40)/discogs-avatars/U-629367-1520261793.jpeg.jpg)
:format(jpeg):quality(40)/discogs-avatars/U-222925-1504156670.jpeg.jpg)
AskeladdenBlack
July 1, 2016
edited over 4 years ago
Three comments on one of raps greatest albums and also one of the first fully legit albums by white boys in the rap world, PS I wish the reissue's would have been on double vinyl.
turntable_terrorist
November 15, 2020