Addison Groove ‎– Footcrab / Dumbsh*t

Label:
Swamp 81 ‎– SWAMP:005
Format:
Vinyl, 12", 45 RPM
Country:
Released:
Genre:
Style:

Tracklist

A Footcrab 4:11
AA Dumbsh*t 5:35

Companies, etc.

Credits

Notes

℗ & © Swamp81 2010

Track durations and BPM are not provided on the record.

BPM:
A: 138 BPM
AA: 138 BPM

Barcode and Other Identifiers

  • Matrix / Runout (Runout side A): TRANSITION 85853 1A SWAMP 005 A
  • Matrix / Runout (Runout side B): TRANSITION 85853 1B SWAMP 005 AA

Other Versions (2 of 2) View All

Cat# Artist Title (Format) Label Cat# Country Year
SWAMP:005 Addison Groove Footcrab / Dumbsh*t(12", W/Lbl) Swamp 81 SWAMP:005 UK 2010 Sell This Version
SWAMP005 VIP Addison Groove Footcrab VIP(File, MP3, 320) Swamp 81 SWAMP005 VIP UK 2010

Recommendations

Reviews Show All 11 Reviews

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ItIsWhatItWas

ItIsWhatItWas

February 13, 2018
I hate to sound ignorant, but can someone please explain to me the meaning of the style Juke?
david_plays_vinyl

david_plays_vinyl

April 9, 2017
Addison Groove played a Wednesday party called Boomba with the Gritsy crew in Houston, summer 2010. I remember there was a dude in the parking lot selling "Footcrabs", crabs that you strapped onto your feet. Like, did that dude save those things for that specific occasion?!?!?! How random....Footcrab is a classic tune. Dumbshit is a sick tune as well. THAT BASS!!!

djrodan

djrodan

March 21, 2016
In interviews Tony is very clear in saying that after being exposed to Juke / Footwork he set out in making these tunes as "dubstep tunes in a juke template."
dima338

dima338

November 23, 2014
Dumbsh*t samples Dark Skinned Assassin - Unholy
ThePianoMan

ThePianoMan

April 9, 2011
You could call this divisive track--popular in certain DJ circles, reviled by others for its simplicity and repetitiveness. I'm talking about the A-side, of course--"Dumbshit," although arguably just as strong a track, never quite got the attention. "Footcrab" is hyperkinetic stuff, like it or not, and damned simple on the surface, a two-syllable vocal sample bounced over a formula 3+3+2 beat. Addison conjures the sound of Juke/Footwork, a U.S. house-based dance sound. But where that scene pushes the samples and appropriations to the front, raw and sharp, this single's sound is a bit more polished: below the hooky surface there's fine-tuned pacing and expert production. Addison Groove is no newcomer to the UK scene--he's worked under the Headhunter moniker in years past--and given a close listen his skill becomes clear.