Australian Crawl ‎– Semantics

Label:
Geffen Records ‎– GHS 4028
Format:
Vinyl, LP, Album
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

A1 The Boys Light Up
Written-By – James Reyne
4:26
A2 Errol
Written-By – Guy McDonough, James Reyne
3:46
A3 Indisposed
Written-By – Bill McDonough, Brad Robinson, James Reyne, J. Robinson*
3:57
A4 Looking For Cool
Written-By – James Reyne
4:12
A5 Reckless (Don't Be So)
Double Bass – Rosemary Westbrook*Written-By – James Reyne
5:20
B1 Lakeside
Written-By – James Reyne
4:08
B2 White Limbo
Written-By – Simon Binks
4:03
B3 Things Don't Seem
Written-By – Guy McDonough, Sean Higgins
3:44
B4 The Night
Written-By – Brad Robinson
4:11
B5 Unpublished Critics
Written-By – James Reyne, Paul Williams (15)
5:18

Companies, etc.

Credits

Notes

Printed inner sleeve contains lyrics.

"The Boys Light Up" and "Indisposed" are not the same versions as on Australian Crawl's debut album "The Boys Light Up" (1980), but re-recorded versions from 1983.
"Errol", "Lakeside", "Things Don't Seem" and "Unpublished Critics" are not the same versions as on Australian Crawl's second album "Sirocco" (1981) but re-recorded versions from 1983.

Recorded at Rhinoceros Studios, Sydney and AAV, Melbourne
Remixed at the Power Station, New York
Mastered at Artisan Sound Recorders

Manufactured exclusively by Warner Bros. Records Inc., a Warner Communications Company. © 1984 The David Geffen Company ℗ 1980, 1981, 1983, 1984 The David Geffen Company. Made in USA.

Barcode and Other Identifiers

  • Barcode (As printed): 0 7599-24028-1
  • Barcode (Scanned): 0075992402811
  • Matrix / Runout (Side A etched): GHS-1-4028-JW3 #1[Artisan drum logo]
  • Matrix / Runout (Side B etched): GHS-2-4028-JW1 [Artisan drum logo]
  • Matrix / Runout (Stamped, both sides): 0

Other Versions (5 of 11) View All

Cat# Artist Title (Format) Label Cat# Country Year
MAX 1874 Australian Crawl Semantics(Cass, Unofficial) MAX (2) MAX 1874 Poland Unknown Sell This Version
GHS 4028 Australian Crawl Semantics(LP, Album, Promo) Geffen Records GHS 4028 US 1984 Sell This Version
ASF 2975 Australian Crawl Semantics(LP) Geffen Records ASF 2975 South Africa 1984 Sell This Version
GHS 25934 Australian Crawl Semantics(LP) Geffen Records GHS 25934 Netherlands 1984 Sell This Version
GEF 25934 Australian Crawl Semantics(LP, Album) Geffen Records GEF 25934 Netherlands 1984 Sell This Version

Recommendations

Reviews Show All 3 Reviews

Add Review

floydfan67

floydfan67

June 27, 2015
peculiar how the band was on Geffen and so were Guns N Roses and Nirvana. Both of those bands biggest hits (Teen Spirit and Sweet Child) sound very similar to the Crawl's Unpublished Critics and Daughters of the Northern Coast.
Conspiracy perhaps?
BankofVinyl

BankofVinyl

February 18, 2012

Though they were huge stars in their homeland of Australia, Australian Crawl could not get arrested outside the land down under. Capitol Records had previously released their third album, "Sons Of Beaches", stateside, but the album sunk without trace. When the band scored big in Oz with their "Semantics" EP, the U.S. labels got interested again, with Geffen winning the rights to release it in the states. Instead of an EP, though, Geffen released an expanded version of "Semantics" featuring the EP's four original tracks plus re-recorded versions of six Crawl classics! Though drummer John Watson had replaced original member Bill McDonough, the band's power had not diminished and some of the re-recordings actually bettered the originals, especially "The Boys Light Up", which actually garnered some airplay on adventurous radio stations. Of the new tracks, the gorgeous ballad "Reckless (Don't Be So)" turned into one of the band's most popular songs (in fact, vocalist James Reyne even re-recorded it for one of his US solo albums). Shortly after the release of this album, guitarist/co-vocalist Guy McDonough died of a rumored heroin overdose. This LP was (and remains) a great introduction to one of Australia's finest homegrown talents.

BankofVinyl

BankofVinyl

February 18, 2012

From their start in 1979 to their demise only five years later, Australian Crawl stood as a bizarre anomaly against the largely punk and political scene Down Under. Essentially sculpted as the Melbourne Beach Boys, the Crawl's songs ranged from odies to Errol Flynn and Resort Girls to rousing singalongs like "Hootchie Gucci Fiorucci Mama," and their mash cover of the Kingsmen's "Louie Louie." Consisting of James Reyne (lead vocals, piano), Guy McDonough (co-lead vocals, rhythm guitar), Bill McDonough (drums, percussion), Simon Binks (lead/acoustic/slide guitar), Paul Williams (bass), and Brad Robinson (rhythm guitar), the Crawl initially appeared to be little more than hedonistic surfers -- in Reyne's own words, "part of people's lives; a representation of the beach, the open air and good vibes." But their debut album, 1980's The Boys Light Up, also contained recountings of automobile accidents ("Indisposed") and vicious attacks against shallow materialists (the band's first single "Beautiful People"). Their combination of light, breezy tunes with significantly darker subtexts (not altogether unlike Brian Wilson's best material) left The Boys Light Up on the Aussie charts for no less than 104 weeks.

1981's sophomore effort, Sirocco, did not mess much with their proven formula. Alongside hits like "Lakeside," "Things Don't Seem," and "Errol," the album also produced their standard "Unpublished Critics," a Reyne rant later redone as a live track on the B-side of "Louie Louie." The follow-up, Sons of Beaches, added famed producer Mike Chapman to the mix, lending the proceedings a more polished sound, while much of the music remained the same (the hit "Shutdown" even borrowing its title from a Beach Boys classic). However, Sons also found Reyne starting to veer off into new territory, earmarked by the cryptic "Letter from Zimbabwe." Still entrenched in classic Crawl arrangements, hints began to emerge at Reyne's crucial shift in direction.

After a number one 12" EP, Semantics, the Crawl released their fourth and final studio album, Phalanx at the end of 1983. (The American version of this album, released on Geffen in 1984, bore the title Semantics, and served as more of a compilation of the Crawl's career to date.) Aside from the cover of "Louie Louie," Phalanx also contained the smash single "Reckless," a song Reyne would later redo for one of his solo ventures. Shortly before their demise, the Crawl served as opening act for Duran Duran on certain legs of the Arena tour. They would release a rare live album, Final Wave and a posthumous singles collection, Crawl File, before Reyne jaunted off on a hugely successful solo career that continues to thrive in his native Australia.

Significantly, each of the Crawl's four studio albums and their EP all reached the Top Five on the Australian pop charts, granting them a level of fever-pitch success shared by only a handful of Aussie artists before or since.