Bassheads ‎– Is There Anybody Out There

Label:
Not On Label ‎– DESA -03, Not On Label ‎– DESA- 3
Format:
Vinyl, 12", 33 ⅓ RPM, Unofficial Release, White Label, Stamped
Country:
Released:
Genre:
Style:

Tracklist

A Is There Anybody Out There 9:28
B Who Can Make Me Feel Good 5:56

Companies, etc.

Notes

Includes samples banned from the commercial release on Deconstruction.

Samples The Osmonds - Crazy Horses & Pink Floyd.

Barcode and Other Identifiers

  • Matrix / Runout (Etched): Damont

Other Versions (5 of 19) View All

Cat# Artist Title (Format) Label Cat# Country Year
12R 6303, 2045896 Bassheads Is There Anybody Out There?(12") Deconstruction, Parlophone 12R 6303, 2045896 UK 1991 Sell This Version
74321 29863 2 Bassheads Is There Anybody Out There?(CD, Maxi) Deconstruction 74321 29863 2 UK 1995 Sell This Version
74321 29388 2 Bassheads Is There Anybody Out There?(CD, Single, Car) Deconstruction 74321 29388 2 UK & Europe 1995 Sell This Version
CDR 6303, 2047102 Bassheads Is There Anybody Out There?(CD, Maxi) Deconstruction, Parlophone CDR 6303, 2047102 Netherlands 1991 Sell This Version
74321 29388 1 Bassheads Is There Anybody Out There?(12", Promo) Deconstruction 74321 29388 1 UK 1995 Sell This Version

Recommendations

Reviews Show All 10 Reviews

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djmikecastillo

djmikecastillo

August 6, 2014
aside from the vocal sample from pink floyd at the beginning, this sounds identical to the commercial release to me. what am i missing?
mstoddy

mstoddy

February 17, 2011

BEWARE of copies (Bootlegs) going round. They are good copies as the detail is nearly correct down to the enscribing of DESA - 3 on the 'run-off', they are correct down to the 'B' Side, the only way you can tell they are not Original is if you have an original 1991 copy. The way to tell is that the Vinyl they use is smooth all the way to the hole, the original isn't it has two 'drops'(or different levels) in the vinyl where the Label (White) is. There has been alot of effort put into the copies (bootlegs) but you can tell, look at the picture on this site (Discogs).
budnik

budnik

September 28, 2007
Well blow me down, what a fine example of acid house this is then. Some nice pianos, nice break, THAT guitar riff that Pink Floyd wouldn't clear and a very nice use of the Afrika Bambattaa lyric. This still sounds fresh today as it did back then which is the mark of a great record. This is what was special about the rave scene, these tunes were made by ravers, for the ravers. The money was second. Also, sampling but thats another story completely.
sy1975

sy1975

March 20, 2007
edited over 9 years ago

Its always great to pick up these original promo's from the days when anything went with samples, this outstanding release obviously features a cheeky sample from Pink Floyd's track of the same name. My copy has a nice hand written comment on the sleeve "From Desa to Jon Wiliams - here is the new single - let it rip in dallas" From Desa and Nick Murphy July 1991.