Burial ‎– Young Death / Nightmarket

Label:
Hyperdub ‎– HDB100
Format:
Vinyl, 12", 45 RPM
Country:
Released:
Genre:
Style:

Tracklist

Companies, etc.

Notes

Black pattern on the black sleeve is glossy.

Barcode and Other Identifiers

  • Barcode (Text): 5055300386526
  • Matrix / Runout (Runout side A, hand-etched): HDB100A BG42509-01 A1 TRANSITION
  • Matrix / Runout (Runout side B, hand-etched): HDB100B BG42509-01 B1 TRANSITION

Other Versions (3 of 3) View All

Cat# Artist Title (Format) Label Cat# Country Year
HDB100 Burial Young Death / Nightmarket(2xFile, WAV, 24-) Hyperdub HDB100 UK 2016
HDB100 Burial Young Death / Nightmarket(2xFile, AIFF) Hyperdub HDB100 UK 2016
HDB100 Burial Young Death / Nightmarket(2xFile, MP3, 320) Hyperdub HDB100 UK 2016

Recommendations

Reviews Show All 57 Reviews

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AlexWayhill

AlexWayhill

June 2, 2018
I heard Nightmarket for the first time today and instantly fell in love with it. Suddenly I was standing on a rainy market in Japan, with rain making the ground steam and giving all the neon lights a halo. Awesome what fantasies music is able to unleash.
Doomguy-id

Doomguy-id

February 23, 2017
edited about 1 year ago

I don't really like Young Death, but I really enjoy Nightmarket! It's a genuinely fresh sound for burial, but still recognisable coming from him.

It's just unfortunate that this is another mixed bag release from him. A third track might have helped it. I hope he drops another Kindred or Truant, or better yet an Untrue!
Vephthode

Vephthode

December 23, 2016
edited about 1 year ago
As ever I am left scratching my head as to how Burial makes his compositional decisions; as in, how to place *what* *where*, add this sample over *here*, etc. I mean, I suppose one could wonder the same of any music but these more recent Burial 'vignette collection' tracks stand so far outside of traditional composition & arrangement that I really can't predict where the track will take me as I listen, repeated sample choices and aesthetics not withstanding.
And, as with past releases, I love the perfectly imperfect production, the way lossy pitch-shift artifacts are embraced rather than hidden, all the clicks from hastily cutting and pasting mp3 samples and then throwing a reverb over it, warts and all... It could all either be completely slap-dash or he may have spent the better part of the past year making only these two tracks and agonising over each crackle. It's not for us to know, nor would I want to particularly. All I know is that his music appears to come from a genuine place and it moves me.
VazgenSolwork

VazgenSolwork

December 22, 2016
These tracks are ok..
But how is it UK Garage ? :)
KaseReese

KaseReese

December 3, 2016
edited about 1 year ago

seriously dude, you crushed this, well worth the wait, and can't wait for the next one. the end section of Young death is devastation, this is my late night record for the winter. getting played every night, and the Sweetz release with Zomby is fire too
nashpaints

nashpaints

December 2, 2016

anyone hear the massive attack - teardrop drumloop at the end of young death??
nashpaints

nashpaints

December 2, 2016

nightmarket sounds like it could be on the drive soundtrack if it was always raining in that film and if ryan gosling was less handsome and crying all the time. Brillo stuff, forget the negativity, this some good music
Buzzdim

Buzzdim

December 2, 2016

Oh this really is great. Nightmarket is a new sound and atmosphere - quite filmic. A very addictive play as gets better each listen.
BanditZero

BanditZero

December 1, 2016
I wouldn't be surprised if I saw Burial moving onto movie soundtracks or something along those lines.

Immense. Every single release is just immense
1tripz1

1tripz1

November 29, 2016
Burial has matured. Hopefully if you've been listening to his music from the start, you've matured too. Yes the early days were great, but this for me is his best release to date.

Hopefully this will encourage people to explore the more experimental side of electronic music.

The frontier....