Cari Lekebusch ‎– Vet Dom Som För Att (Know They For Because)

Label:
H. Productions ‎– HP1203
Format:
2 × Vinyl, 12", 33 ⅓ RPM
Country:
Released:
Genre:
Style:

Tracklist

A1 Frammåtstupasnedskevsväng 4:42
A2 Psykologiska Justeringar 4:55
B1 Synpunkter På Invecklade Åsikter 4:19
B2 Kronisk Brytpunkt 4:09
C1 Attitydsknäckaren 4:50
C2 Den Sovande Molekylen 3:48
D1 Omslaget Motiverat 4:19
D2 De Sju Skenande Kompressorerna 4:25

Companies, etc.

Credits

  • Mastered ByNilz*

Barcode and Other Identifiers

  • Matrix / Runout (Runouts Side A): WEAR YOUR HAT... HP1203 A-01-1-1 THE EXCHANGE - NILZ .
  • Matrix / Runout (Runouts Side B): HP1203 B-01-1-1 THE EXCHANGE - NILZ .
  • Matrix / Runout (Runouts Side C): ...BEFORE U DO THAT. THE EXCHANGE - NILZ . HP1203 C-01-1-1
  • Matrix / Runout (Runouts Side D): HP1203 D-01-1-1 THE EXCHANGE - NILZ .

Recommendations

Reviews Show All 4 Reviews

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Rich.C

Rich.C

March 17, 2017

That man lekebusch delivers again with a wonderful double pack, the stand out track for me is Attitydsknäckaren played by dj's Billy Nasty and Ribbz back in 1998...buy and you wont be disappointed ;)
Jerooom

Jerooom

February 23, 2017
edited 5 months ago
Just echoing the other reviewers. One of my personal favourite moments in Techno. Upon their release in 1997 these tracks sounded like nothing else out there. Instantly recognisable as Lekebusch, I cherish this double pack and it still gives me the rush today. In particular, the two broken beat tracks on here are SO SO GOOD. Still sounding like the future in 2017 and heavy as you like. I'd say they've aged the best of all the tracks.
An essential doublepack From Lekebusch's glory years.. Also check out 'Reverted', and the James Barth 'Stealin Music' LP for more killer original Techno blueprints that didn't get copied as much as you'd expect from such fine creations !

FLANGE never sounded so good before or since !
dennis123

dennis123

January 31, 2016
TOP CLASS BOOMING TECHNO FROM MR. LEKEBUSCH! MUCH RESPECT!!! NYC:)

matter

matter

January 6, 2012
Almost overdriving although mastered with a ~ 5.0 db headroom. One of my favorite releases ever and possibly one of the greatest works of techno of all time. Crunchy polyrythms and near consistent phasing high end compliment the melodic riffs created by both synth voices and underlying tones. If you do not know it is for because.