Cecil Taylor ‎– Unit Structures

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Versions (26)

Cat# Artist Title (Format) Label Cat# Country Year
BLP 4237 Cecil Taylor Unit Structures(LP, Album, Mono) Blue Note BLP 4237 US 1966 Sell This Version
BST 84237 Cecil Taylor Unit Structures(LP, Album) Blue Note BST 84237 US 1966 Sell This Version
BST 84237 Cecil Taylor Unit Structures(LP, Album, RP) Blue Note BST 84237 US 1967 Sell This Version
BST 84237 Cecil Taylor Unit Structures(LP, Album, RE) Blue Note BST 84237 US 1969 Sell This Version
BST 84237 Cecil Taylor Unit Structures(LP, Album, RE) Blue Note BST 84237 US 1970 Sell This Version
BST 84237 Cecil Taylor Unit Structures(LP, Album, RE) Blue Note BST 84237 US 1972 Sell This Version
BST 84237 Cecil Taylor Unit Structures(LP, Album, RE) Blue Note BST 84237 US 1973 Sell This Version
BST 84237 Cecil Taylor Unit Structures(LP, Album, RE) Blue Note BST 84237 US 1975 Sell This Version
BST 84237 Cecil Taylor Unit Structures(LP, Album, RE) Blue Note BST 84237 US 1975 Sell This Version
BST 84237 Cecil Taylor Unit Structures(LP, Album, RE) Blue Note BST 84237 US 1975 Sell This Version
BNS 40023 Cecil Taylor Unit Structures(LP, Album, RE) Blue Note BNS 40023 UK 1977 Sell This Version
GXK 8147, BST 84237 Cecil Taylor Unit Structures(LP, Album, RE) Blue Note, Blue Note GXK 8147, BST 84237 Japan 1980 Sell This Version
BST 84237 Cecil Taylor Unit Structures(LP, Album, RE) Blue Note BST 84237 France 1984 Sell This Version
BNJ 71047, BST 84237 Cecil Taylor Unit Structures(LP, Album, RE) Blue Note, Blue Note BNJ 71047, BST 84237 Japan 1984 Sell This Version
CDP 7 84237 2 Cecil Taylor Unit Structures(CD, Album, RE) Blue Note CDP 7 84237 2 US 1987 Sell This Version
CP32-9542 Cecil Taylor Unit Structures(CD, Album, RE) Blue Note CP32-9542 Japan 1987 Sell This Version
CDP 7 84237 2 Cecil Taylor Unit Structures(CD, Album, RE) Blue Note CDP 7 84237 2 US 1987 Sell This Version
TOCJ-4237, BNST-84237 Cecil Taylor Unit Structures(CD, Album, RE, RM) Blue Note, Blue Note TOCJ-4237, BNST-84237 Japan 1998 Sell This Version
TOCJ-9235, BNST-84237 Cecil Taylor Unit Structures(CD, Album, Ltd, RE, RM, Pap) Blue Note, Blue Note TOCJ-9235, BNST-84237 Japan 2000 Sell This Version
TOCJ-6672, BST-84237 Cecil Taylor Unit Structures(CD, Album, RE, RM) Blue Note, Blue Note TOCJ-6672, BST-84237 Japan 2006 Sell This Version
UCCQ-9193 Cecil Taylor Unit Structures(CD, Album, Ltd, RE, RM) Blue Note UCCQ-9193 Japan 2015 Sell This Version
BST 84237, B0022237-01 Cecil Taylor Unit Structures(LP, Album, RE, RM) Blue Note, Blue Note BST 84237, B0022237-01 US 2015 Sell This Version
BST 84237 Cecil Taylor Unit Structures(LP, Album, RE, RM, 180) Blue Note BST 84237 Europe 2015 Sell This Version
CDP 7 84237 2 Cecil Taylor Unit Structures(CD) Blue Note CDP 7 84237 2 US Unknown Sell This Version
BST 84237, BLP 4237 Cecil Taylor Unit Structures(LP, Album) Blue Note, Blue Note BST 84237, BLP 4237 Europe Unknown Sell This Version
BST 84.237, BST 84237-U Cecil Taylor Unit Structures(LP, Album, RE) Blue Note, United Artists Records France BST 84.237, BST 84237-U France Unknown Sell This Version

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mtarvainen

mtarvainen

May 4, 2018
referencing Unit Structures, LP, Album, RE, RM, BST 84237, B0022237-01

I don't have a bad word to say about quality of the Blue Note's 75th Anniversary vinyl series in general. All of the EU pressings I've purchased have been top notch quality. Well, the US pressings are whole different story and what you get in the package varies a lot. What Amazon DE did send me was the US pressing with a little bit of surface noise and cracks and pops here and there. However, proper cleaning with liquid did the magic and now I hold the somehow enjoyable piece of listening. I'm still keeping one eye open for EU pressing (or NM 60's copy). So when in doubt: wash your records.
gottlieb7

gottlieb7

November 5, 2017
referencing Unit Structures, CD, Album, RE, CDP 7 84237 2

After several years off records, pianist Cecil Taylor finally had an opportunity to document his music of the mid-'60s on two Blue Note albums (the other one was Conquistador). Taylor's high-energy atonalism fit in well with the free jazz of the period but he was actually leading the way rather than being part of a movement. In fact, this septet outing with trumpeter Eddie Gale, altoist Jimmy Lyons, Ken McIntyre (alternating between alto, oboe and bass clarinet), both Henry Grimes and Alan Silva on basses, and drummer Andrew Cyrille is quite stunning and very intense. In fact, it could be safely argued that no jazz music of the era approached the ferocity and intensity of Cecil Taylor's.