Celluloïd Mata ‎– Spectrum

Label:
Ant-Zen ‎– act 125
Format:
2 × CD, Compilation
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

1.1 The Council
Featuring – Sheila Mata
3:27
1.2 Rhizome 2:57
1.3 Honey Babe 2 2:31
1.4 Cyborg Colony 3:12
1.5 Exit Liquid 4:34
1.6 Faster Than Sputnik 3:46
1.7 Tri-Fin Theatre 5:30
1.8 Level MP 3:54
1.9 Another Defvac Soul 4:40
1.10 Out Of The Afternoon Talking About R. Kern 9:17
1.11 Protocol. [45] 2:42
1.12 550^Print 4:56
1.13 Scaffold. [S.A.L.rmx] 4:09
2.1 Trinity Test 11:50
2.2 Lost Where U're Lost 5:50
2.3 Frau Towcmlfe 6:07
2.4 Everlasting Rail 4:47
2.5 100 Years Of Loneliness 4:25
2.6 H.a.t.e.d. 2:23
2.7 Convex 3:06
2.8 No Bimbo's Or I'll Die 4:13
2.9 The Cyborg
Featuring – Sheila Mata
4:01
2.10 Log Boot 3:45
2.11 Terminal 3:50

Companies, etc.

Credits

  • Artwork [Artwar]Salt

Notes

Comes with 4-page booklet.

CD1:
#1 released on "Escaped From Room 7" 2xLP by Vacuum in 2000.
#2, 4 and 5 released on "Invasion Of" CD by Noise Museum in 1999.
#3, 7 and 9 released on "Fancy Binaries" CD by Noise Museum in 1997.
#6 released on "Bimbo Oscillations" CD by Noise Museum in 1998.
#8 and 12 released on "La Connectique" LP by Hymen Records in 2000.
#11 released on "Pink One EP" 7" by V-Lego in 1997.
#13 previously unreleased.
CD2:
#1 released on "Jerusalem" LP by L'Art Et La Guerre in 2000.
#2 released on "Fancy Binaries" CD by Noise Museum in 1997.
#3 released on "Pink One EP" 7" by V-Lego in 1997.
#4, 7 and 10 released on "Invasion Of" CD by Noise Museum in 1999.
#5 and 8 released on "Bimbo Oscillations" CD by Noise Museum in 1998.
#6 released on "Mata Mensch" 7" by V-Lego in 1996.
#9 and 11 are previously unreleased.

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Reviews

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schlagzeug

schlagzeug

June 3, 2003

This is a 2-CD set that includes a whole lot of work that spans a long period of time, just a lot of miscellaneous stuff that he's worked on that never ended up anywhere, or was used briefly or what have you.

It all sounds excellent, it really show's his range and incorporates some more experimental beats and concepts. In particular interest to me were the tracks that incorporated female vocals.