Chris Clark ‎– Clarence Park

Warp Records ‎– WARPCD86
CD, Album


1 Pleen 1930s 1:31
2 The Dogs 2:53
3 Proper Lofi 3:13
4 Oaklands 1:00
5 Bricks 2:41
6 EmW 0:37
7 A Laugh With Hills 3:13
8 The Chase 1:06
9 Lord Of The Dance 4:17
10 Caveman Lament 2:46
11 Fossil Paste 2:09
12 Diesel Raven 2:53
13 Shrewland 2:58
14 Nostalgic Oblong 0:23

Companies, etc.



© 2001 Warp Records Limited
℗ 2001 Warp Records Limited

For Dad. Always remembered.

Barcode and Other Identifiers

  • Barcode (Text): 5 021603 086128
  • Barcode (Scanned): 5021603086128
  • Matrix / Runout: WARPCD 86 | 1030108
  • Mastering SID Code: IFPI L055
  • Label Code: LC02070

Other Versions (5 of 5) View All

Cat# Artist Title (Format) Label Cat# Country Year
WARPLP86 Chris Clark Clarence Park(LP, Album) Warp Records WARPLP86 UK 2001 Sell This Version
WARP advcd 86 Chris Clark Clarence Park(CD, Album, Promo) Warp Records WARP advcd 86 UK 2001 Sell This Version
WARPCD86X Clark* Clarence Park(CD, Album, RM) Warp Records WARPCD86X UK & Europe 2012 Sell This Version
BRC-332 Clark* Clarence Park(CD, Album) Beat Records BRC-332 Japan 2012 Sell This Version
WARPCD86 Chris Clark Clarence Park(CD, Album) Warp Records WARPCD86 US 2001 Sell This Version


Reviews Show All 4 Reviews

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November 16, 2005
edited over 13 years ago

Chris Clark's Clarence Park is a definite Contender in the realm of IDM/ACID sounds that are full of that Glitch friendly stuff we've been hearin' lately. As many stated before, it's hard to not think that this is a breed child of Aphex Twin and Autechre, not that it's bad, but it is hard not to compare to them. This is a great first release with some hard tracks that are ready to blow your mind, and some very sensual tracks like Lord of the Dance ready to make you laugh and parade around your highly radioactive rooms. For those that like the 'Glitch' sound that has been going around lately and something difficult to listen to that grows on you with each listen and becomes more and more catchy, than this is for you.


September 19, 2003
I dig this album but the way it derives from Aphex and Squarepusher seems undeniable to me... I can't in good faith say this is an entirely good thing either. He's certainly drawing from stellar influences but it also feels hard to award many points for originality. Check out his latest work to see some marked improvement (in my opinion).


January 20, 2003

This is an absolutely unmissable record that points towards the future of electronic experimentation. It has melody, heavily processed sounds, unstoppable and ever-evolving beats; it never ceases to amaze the listener. Along with Amon Tobin, Chris Clark is the most advanced sound researcher, and the guy to look after for the next years.


November 8, 2002
This is a great record that not too many people seem to talk about. Twisted Aphexish acidic beats with some calming, sometimes unnerving interludes.