Issued in a 3-panels cardboard digisleeve, together with a sticker sheet representing the mountain on cover and a stencil of the personage with his crown. Pre-orders of the CD received an email to download the MP3 @ 320 kbps album. Tracks length not printed on release, retrieved using a computer.
All tracks published by New Futility Music, ASCAP, except:
2: Definitive Jux Music/Pulse Music, SESAC, Aniyah's Music/Royalty Network, ASCAP
4: Manners McDade
5: Copyright Control
8: Copyright Control, MCPS/PRS
9: Michele Publ. Co., BMI, Bleep Bloop Music, ASCAP, G Jones Music, ASCAP
1 Contains interpolation of "Prima Alba" by Dario Baldan Bembo
(Come Il Vento
2: Brass recorded at Thrum Studio, London.
Contains interpolation of "Ol' Man River" by Caterina Valente
5: Vocal treatments recorded at Circuit Studios, SF.
Contains a sample of "Every Day Is The Weekend" by Celly Cel
8: Live instrumentation recorded at 80 Hertz Studios, Manchester.
9: Contains interpolation of "Pitter Patter" by The Birdies
10: Contains interpolation of "Color Blind" by Ice Cube
11: This is the most ancient track of this album as it was initially released on November 4th, 2014 on The Liquid Amber EP
(P) 2014 A&M Records Ltd. a division of Universal Music Operations Limited. Licensed courtesy of Universal International Music B.V.
For Mass Appeal Records: Amit Nerurkar, Peter Bittenbender
Thanks Jack Dangers
@ Tape Lab
for the use of the Synthi 100.
In booklet: © 2016 Reconstruction Productions, Inc., under exclusive license to Mass Appeal Records, LLC.
On back sleeve: © 2016 New Futility Music (ASCAP), all rights worldwide administered exclusively by Kobalt Songs Music Publishing.