Death Cab For Cutie ‎– Transatlanticism

Label:
Barsuk Records ‎– bark32lp
Format:
2 × Vinyl, LP, Album, Reissue, 180 gram
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

A1 The New Year 4:06
A2 Lightness 3:30
A3 Title And Registration 3:39
B1 Expo '86 4:11
B2 The Sound Of Settling
Percussion [Claps, Stomps] – Ben*, Jason*, Nick*, Rob Herbst
2:12
B3 Tiny Vessels 4:21
C1 Transatlanticism
Choir [The Barsuk Men's Choir] – Ben*, Chris*, John Roderick, Nick*, Phil Wandscher, Sean Nelson
7:55
C2 Passenger Seat 3:41
D1 Death Of An Interior Decorator 2:56
D2 We Looked Like Giants 5:32
D3 A Lack Of Color 3:36

Companies, etc.

Credits

Notes

10th anniversary edition. 180-gram double LP in a gatefold sleeve, with download code for album + demos.

Comes with a 12p booklet including lyrics, credits & artwork.

©℗ 2003 Under Exclusive License to Barsuk Records

Barcode and Other Identifiers

  • Barcode (Text): 6 55173 10321 0
  • Barcode (String): 655173103210
  • Matrix / Runout (Side-A, etched): BARK 32-LP A -27590- KPG@ATM W/L.N. 10470.1(3)
  • Matrix / Runout (Side-B, etched): BARK 32-LP B -27590- KPG@ATM W/L.N. 10470.2(3)
  • Matrix / Runout (Side-C, etched): BARK 32-LP C -27590- KPG@ATM W/L.N. 10470.3(3)
  • Matrix / Runout (Side-D, etched): BARK 32-LP D -27590- KPG@ATM W/L.N. 10470.4(3)
  • Matrix / Runout (Side-A, etched [Variant 1]): BARK 32-LP A S̶B̶R̶-̶0̶1̶2̶-̶A̶ -27590- KPG@ATM W/L.N. 10470.1(3)
  • Matrix / Runout (Side-B, etched [Variant 1]): BARK 32-LP B S̶B̶R̶-̶0̶1̶2̶-̶B̶ -27590- KPG@ATM W/L.N. 10470.2(3)
  • Matrix / Runout (Side-C, etched [Variant 1]): BARK 32-LP C S̶B̶R̶-̶0̶1̶2̶-̶C̶ -27590- KPG@ATM W/L.N. 10470.3(3)
  • Matrix / Runout (Side-D, etched [Variant 1]): BARK 32-LP D S̶B̶R̶-̶0̶1̶2̶-̶D̶ -27590- KPG@ATM W/L.N. 10470.4(3)

Other Versions (5 of 18) View All

Cat# Artist Title (Format) Label Cat# Country Year
bark32 Death Cab For Cutie Transatlanticism(CD, Album) Barsuk Records bark32 US 2003 Sell This Version
GvHC 008, GHvC 008 Death Cab For Cutie Transatlanticism(2xLP, Album) Grand Hotel Van Cleef, Grand Hotel Van Cleef GvHC 008, GHvC 008 Germany 2003 Sell This Version
MRCD 246 Death Cab For Cutie Transatlanticism(CD, Album) Munich Records MRCD 246 Netherlands 2003 Sell This Version
LMM-163 Death Cab For Cutie Transatlanticism(CD, Album, Gol) LMM LMM-163 US 2004 Sell This Version
arc017 Death Cab For Cutie Transatlanticism(CD, Album) Architecture Label arc017 Australia 2003 Sell This Version

Recommendations

Reviews Show All 21 Reviews

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MEllODrOnE

MEllODrOnE

January 12, 2020
edited 14 days ago
Very interesting to hear this album on vinyl after listening to the CD for years. What stands out to me is the amazing drum sound that Kevin Gray was able to pull out of the master. The drums are super punchy and realistic. Next, the low end is definitely enhanced with the bass being super forward and defined in the mix (not necessarily a bad thing but it adds a different element to the music which I’m used to being on the softer side). I’m not really used to hearing these songs with thumping, driving bass but it doesn’t ruin the music at all, just adds a different focus. IMO, this reissue isn’t cut hot. The volume is boosted and the vocals are slightly stretched but everything is balanced well, the soundstage is the wider than the CD and there’s more room for the individual instruments to breathe. No sibilance though, no distortion, really clean sound, not too bright at all. I actually really like the way this record sounds. It has a bigger sound than the CD and this is now my preferred way to listen to the album. The acoustic guitar sounds rings beautifully. The only downfall to this album is that the clarity is lost in harder rock parts like on Expo ‘86 which is common on records mastered from digital. Not saying that’s a bad thing, I’m sure this album was not originally cut all analog so there’s really nothing you can do but it’s digital roots are apparent at times on the vinyl version. Overall though, a very enjoyable experience on vinyl and I’ll take it.

P.S. are we sure this was pressed at Pallas? I’ve never seen Pallas use MoFi-style poly sleeves but I have seen it with RTI in the past? Are there two editions? One pressed at RTI (possibly the US version) and one pressed at Pallas (possibly the EU version?). Or maybe two different pressings?
safetypilotcal

safetypilotcal

September 29, 2019

Purchased from Amazon 9/26/2019. Playback is on an AT LP-120X with VM95E cartridge.

First impressions are very good. The pressing does not seem to exhibit the defects noted on earlier ones. The record itself is nearly perfectly flat and runs true (no stylus wobble or moving to-and-fro like a number of recent albums I own). Absolutely zero skipping. I can only detect minor surface noise here and there, but it is otherwise very quiet. Mastering is probably a bit on the hot side, yeah, but it's not awful and it doesn't really detract from the music, in my opinion. I own the SACD copy of Transatlanticism as well, and it sounds damn close to my ears. I'm not sure I could tell the difference in a blind listening test.

Packaging is great. The booklet is printed nicely and as noted by another reviewer, the records ship in MoFi-style sleeves which is SO NICE. The label on side A was ever so slightly misaligned, but that's it for my complaints about the actual "hardware". Also as pointed out previously, a small card is included in the side A/B gatefold which says that (presumably due to the hot master), some skipping on Side A is possible with economy turntables.

All in all, very happy with this release and it was well worth the ~$22 paid.
kschwensen

kschwensen

September 5, 2019

I just bought a copy of this, it now comes with a card insert which states: "Skips or other problems with your vinyl? These issues can often be resolved by proper turntable calibration, especially when playing heavyweight 180-gram vinyl. The sonics of the beginning of Side A of this particular album are known to produce a skipping problem for owners of economy or entry-level turntables. After much consultation with audio and vinyl mastering experts, we have determined that the old "penny-on-the-tone-arm" trick will almost always fix the problem for the small minority of consumer turntables that have a hard time with it - it is *not* a problem with the pressing or with your particular copy. If you have this problem on a higher-end turntable, please write to us at questions@barsuk.com and we'll get you sorted out!"

My copy plays fine, no noise or skips, on my trusty "economy" Sony turntable... no penny needed (though I always found blu-tack a better option back in the day - never fell off if the needle hit a scratch, and you could adjust the weight by changing the size/position of the blob... ahhh, memories)
kraaaamer

kraaaamer

August 5, 2019
edited 5 months ago

Thankfully, my copy doesn't suffer from the issues that others have reported. It was purchased from a live show in late 2018. Playback is through a Thorens TD-160.

A seminal, decade defining indy rock set that plays like a greatest hits album. Absolutely no filler.

Like others have mentioned, the master and subsequent record was cut roughly -3 to -4 db too hot, and this effects the quiet, delicate moments on the album. It's a mixed bag for me. Otherwise, the pressing is excellent. Flat and quiet. The records also ship in anti-static, MoFi style sleeves (I wish this practice was more common).

For those experiencing skips, you might need to adjust the anti-skate and tracking force of your tonearm. Hot records can be hell on improperly setup turntables.
ckaufman90

ckaufman90

August 20, 2018

Surface noise, more surface noise, and more surface noise. Cleaned with a Spin-Clean and brushed before playing. Vintage Technics gear with upgraded stylus, etc.
bandnerd

bandnerd

January 26, 2018
My pressing sounds amazing! Played on a Pro-ject Debut Carbon DC (2M-Red) without any problems.
bwiebe

bwiebe

January 24, 2018

Phenomenal pressing and overall product. My copy (purchased Jan. 2018) doesn't have any of the issues some others have experienced. Across all four sides there's only a few noticeable pops, mostly on side D. The tracks are mastered nicely but are a bit loud. The included sleeves are plastic-lined to protect the discs, something I have rarely seen. Lyric/artwork book is a nice addition to the overall presentation and the download card seems to actually be a sticker as well. Overall, this was a great value for the money and a very welcome addition to my collection!
lopezjurip

lopezjurip

January 20, 2018
Mine came in a loose shrink wrap and a transparent hype sticker. Brought from Amazon US.
boulala1406

boulala1406

September 4, 2017
Mine plays well without any issues.. Great detail in the instruments

Overall good pressing
bgspartan

bgspartan

March 10, 2016

Just grabbed one brand new and Side A skips from the start. Such a bummer, was really stoked to have this