Diamond* And The Psychotic Neurotics ‎– Stunts, Blunts, & Hip Hop

Mercury ‎– 314 513 934-1 DJ, Chemistry Records Ltd ‎– 314 513 934-1 DJ, Mercury ‎– 314 517 239-1, Chemistry Records Ltd ‎– 314 517 239-1
2 × Vinyl, LP, Album, Promo

Tracklist Hide Credits

A1 Intro 0:42
A2 Best Kept Secret
Vocals [Additional] – Bonita (2), Fat Joe, LaReese, Whiz One
A3 Sally Got A One Track Mind 3:44
A4 Step To Me
Co-producer – Diamond*Producer – Showbiz
B1 Shut The "*!*!" Up
Vocals [Additional] – The Psychos*
B2 "*!*!" What You Heard
Co-producer – Lakim Shabazz
B3 I'm Outta Here 5:07
B4 A Day In The Life
Featuring – Brand Nubian
C1 Comments From Big "L" And Showbiz
Vocals [Additional] – Big L, Showbiz
C2 Check One, Two
Co-producer – The 45 King
C3 What You Seek 3:30
C4 Lunchroom Chatter
Vocals [Additional] – The Psychos*
C5 Confused
Featuring – Jasmine (5), Michelle Sweeting
D1 Pass Dat S**t
Featuring – Fat Joe, Maestro*, Mike G.Q., Whiz One
D2 Freestyle (Yo, That's That Sh..)
Co-producer – Large ProfessorGuitar – Shane FaberVocals [Additional] – The Psychos*
D3 K.I.S.S. (Keep It Simple Stupid)
Co-producer – Q-Tip
D4 Stunts, Blunts, & Hip Hop
Vocals [Additional] – The Psychos*
D5 Best Kept Secret (Radio Edit)
Vocals [Additional] – Bonita (2), Fat Joe, LaReese, Whiz One

Companies, etc.



Mastered at DMS, N.Y.C.
Recorded at Jazzy Jay's Recording Studio (Bronx, NY) by Jazzy Jay, Winston Rosa, & Skeff Anselm and at Calliope Studios (NYC) by Chris "The Wolf" Julian & Dave Ogrin
All songs mixed for Diggin' In The Crates Productions, Inc. & for Scientific Homies at Chung King House Of Metal (NYC) & Marathon Studios (NYC)
Written, Produced and Arranged for Diggin' In The Crates Productions, Inc.

Promotional copy.
Not for sale.
Original US pressing.

Original copies:
Cover with real stickers and some without stickers. For "promotion only not for sale" has been printed on the labels.
Fake stickers printed on the cover.

The CD version contains some bonus tracks.

Direct Metal Mastering (DMM)

Barcode and Other Identifiers

  • Matrix / Runout (Run-out area side A [hand-etched]): 314-517-239-1-DJ-AS-SP1-DMM
  • Matrix / Runout (Run-out area side B [hand-etched]): 314-517-239-1-DJ-BS-DMM-SP1-1
  • Matrix / Runout (Run-out area side C [hand-etched]): 314-517-240-1-DJ-AS-DMM-SP1-1
  • Matrix / Runout (Run-out area side D [hand-etched]): 314-517-240-1-DJ-SP-DMM-SP1-1


Reviews Show All 4 Reviews

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November 19, 2017
edited 10 months ago
As already mentioned, the promo 2LP is missing the classic tracks 'I Went For Mine' an 'Feel The Vibe' along with ' Red Light Green Light' and a couple of skits. However, a small bonus for fans of the track 'A Day In The Life' is that it's a slightly longer version on the 2LP than the CD & cassette. The version here ends with a few extra seconds of instrumental before fading out, unlike other formats where it ends abruptly by the 'Last Car on the 2 Train' skit cutting in.


July 17, 2011
edited over 7 years ago

SUPER BRILLIANT RARE CLASSIC ALBUM (Which was even super hard to get in 1992! No joke!)

The ORIGINAL has the following inscriptions in the run-out grooves.

Run-out grooves reads as follows:

Side A: 314-517-239-1DJ-AS-SPI DMM (additional letters SPI-I are written directly under DJ-AS)
Side B: 314-517-239-1-DJ BS-DMM SP2xI-I
Side C: 314-517-240-1-DJAS DMM SPL-I
Side D: 314-517-23940-DJ BS 240-1-DJ-BS-SP-DMM SPI-1 (on side D the numbers 239 looks like they are crossed out).

This is surely one of the best Hip-Hop Albums EVER!! Mad props go out to Diamond for this classic project!



July 24, 2010

"I Went for Mine" which is on my cassette copy (ha ha still got it!) of the album is surely one of the tightest beats ever created. I remember bopping my head walking down the street listening to this, such a classic piece of hip hop. Busta Rhymes resurrected the groove of this for "New York Shit" which is decent but Diamond still kills it.


November 21, 2008
edited over 4 years ago

This is simply one of the best Hip Hop LP´s from the golden age.

I remember comming home from the record store, light a splif and put the record on, it completely blew me away.
Somehow most of the old DITC stuff is totally classic material that is still more relevant / timeless than other production of that era.
No gimmick's here. This is raw, straight to the point hip hop with funky sampling and dope raps that will put you into the zone.

One more thing, in 1992, record companies were ready to switch from Vinyl to CD's so this LP came out, only as a promo double LP and was so limited, that it was nearly impossible to obtain it, even in 1992! Very quickly white Label Bootlegs were pressed from the CD Version. To be sure you are holding an original copy in your hands, you need to verify that your double LP has a real sticker and not a photocopied one.