Dom* & Optical ‎– Quadrant Six / Concrete Shoes

Label:
Moving Shadow ‎– SHADOW 111, Moving Shadow ‎– UK SHADOW 111
Format:
Vinyl, 12", 45 RPM
Country:
Released:
Genre:
Style:

Tracklist

This Side
X Quadrant 6
Other Side
Y Concrete Shoes

Companies, etc.

Credits

Notes

Title appears as "Quadrant Six" on front and back cover and as "Quadrant 6" on label.

℗&© 1997 Moving Shadow Record Company Ltd.

Both tracks written & produced @ Optical / Dom & Roland Studios London. Made in England.

Barcode and Other Identifiers

  • Barcode (Text): 5 022208 001110 >
  • Barcode: 5022208001110
  • Label Code: LC 5681
  • Matrix / Runout (Runout side X, etched): SIMON-THE EXCHANGE SHADOW-111 X1
  • Matrix / Runout (Runout side Y, etched): SIMON-THE EXCHANGE SHADOW-111 Y1

Other Versions (3 of 3) View All

Cat# Artist Title (Format) Label Cat# Country Year
SHADOW111 Dom* & Optical Dom* & Optical - Quadrant 6 / Concrete Shoes(2xFile, WAV) Moving Shadow SHADOW111 UK Unknown
SHADOW 111 Dom* & Optical Dom* & Optical - Quadrant 6 / Concrete Shoes(12", Promo) Moving Shadow SHADOW 111 UK 1997 Sell This Version
SHADOWXV 111 Dom* & Optical Dom* & Optical - Quadrant 6 / Concrete Shoes(12", RE) Moving Shadow SHADOWXV 111 UK 2006 Sell This Version

Recommendations

Reviews Show All 10 Reviews

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sam_blam

sam_blam

November 16, 2019
For me, this record has always been about "Concrete Shoes". Such an inventive tune and weirdly joyful. There's a skipping lightness to the track that is fighting some kind of existential battle with forces of doom, and I love how the drums start to give up around the 4:05 min mark before fighting back to life. When "Quadrant 6" starts infiltrating from the other side of the vinyl you know anything can happen.
ColonelTirpitz

ColonelTirpitz

June 17, 2019

Wondering why these tracks are on this label ? They belong more on the Prototype Recordings label since it's the more darker side as Drum&Bass style . Whereas Moving Shadow is slightly the smoother D&B imo .

Anyway both sides on this record are excellent but track Quadrant 6 is "The Winner"
hayleycee

hayleycee

March 19, 2015
Concrete Shoes
breakbeatscientist

breakbeatscientist

August 8, 2012

'Quadrant 6' is an awesome collaboration between two masters of the dark, sci-fi techstep sound. Drawing from the same monolithic bass template as Nasty Habit's 'Shadow Boxing', the track opens to an ominous and desolate sounding synth before introducing a twisting, growling wall of bass. The two-step breaks sound raw and heavy as hell as opposed to the more dull and clinical tracks of the late nineties. A true monster of a tune and one that was surprisingly overlooked at the time.

The flipside, 'Concrete Shoes' is a more atmospheric stepper opening with soaring sci-fi synths and restrained breaks giving you a real futuristic feel. It then goes a little darker once it reaches the 2 minute mark by introducing a growling hoover sound and bass throbs. A perfect double A-Side release from Dom & Optical at their peak.
Enkoder

Enkoder

October 30, 2011
Real shame the dub version wasnt released, had a better b-line
CiaranM

CiaranM

March 8, 2010
The intro to this is definitely good; but if you want the more intense/heavy version then listen to the E-Sassin Remix. The remix loses the air of suspicion, however the bassline is much more powerful in it. (It's on MSXEP021 Reborn In The USA EP.)

Concrete Shoes is a decent tune, with a nice intro, although it uses bits from the a-side.
EKM

EKM

July 8, 2006
edited over 14 years ago

Quadrant 6 is one of those absolutely brilliant tunes that somehow, through a nasty twist of fate, fails to gain widespread recognition. The intro is arguably the best part of the song, as it quite successfully manages to invoke a deep sense of sheer space; completely infinite space. With that depth also comes a certain amount of fear and suscpicion. The rest of the tune is a very heavy Techstep effort, with some of the most hard-hiting drums to be heard, and an incredibly wicked bassline. It's true that this works very well on the dancefloor, but it's also very well suited to home listen, as it's complexity in structure and design insist multiple listen. This is one that you'll want to hold onto for quite a long time.