Earth (2) ‎– Earth 2: Special Low Frequency Version

Label:
Sub Pop ‎– SPCD 185
Format:
CD, Album, Reissue, Repress
Country:
Released:
 
Genre:
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Tracklist Hide Credits

1 Seven Angels 15:35
2 Teeth Of Lions Rule The Divine 27:04
3 Like Gold And Faceted
Percussion [Special Thanks To - From Laceration For Percussives] – Joe Burns*
30:21

Companies, etc.

Credits

Notes

Recorded August 1992 at Avast Studios, Seattle, WA

©℗ 1993 Sub Pop Records.

Barcode and Other Identifiers

  • Barcode: 0 98787-0185-2 3
  • Matrix / Runout (Variant 1): wea mfg. OLYPHANT [Logotype] X15914 IR SP 185-2 02 M1S7 CI
  • Mastering SID Code (Variant 1): ifpi L902
  • Mould SID Code (Variant 1): IFPI 2U9B
  • Matrix / Runout (Variant 2): wea mfg. OLYPHANT [Logotype] X15914 IR SP 185-2 02 M1S4 CI
  • Mastering SID Code (Variant 2): ifpi L902
  • Mould SID Code (Variant 2): IFPI 2U7A
  • Matrix / Runout (Variant 3): ['wea mfg. OLYPHANT' logo] X15914 IR SP 185-2 02
  • Matrix / Runout (Variant 3, Mould Ring): M1S4 CI
  • Mastering SID Code (Variant 3): ifpi L902
  • Mould SID Code (Variant 3): IFPI 2U3Z

Other Versions (5 of 9) View All

Cat# Artist Title (Format) Label Cat# Country Year
SP185b Earth (2) Earth 2: Special Low Frequency Version(CD, Album) Sub Pop SP185b US 1993 Sell This Version
SPCD 65/232 Earth (2) Earth 2: Special Low Frequency Version(CD, Album) Sub Pop SPCD 65/232 Germany 1993 Sell This Version
SP 185 Earth (2) Earth 2 - Special Low Frequency Version(2xLP, Album, RP) Sub Pop SP 185 US 2006 Sell This Version
SP 65/232 Earth (2) Earth 2 (Special Low Frequency Version)(2xLP, Album, Cle) Sub Pop SP 65/232 Germany 1993 Sell This Version
SP 65/232 Earth (2) Earth 2: Special Low Frequency Version(2xLP, Album, W/Lbl) Sub Pop SP 65/232 Germany 1993 Sell This Version

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Anesthetized

Anesthetized

September 7, 2014

Dylan Carlson never composed rock music, but he loves - more than anyone else! – the raw material of rock music: distorted sounds. His fascination for the psychedelic power of sonic distorted vibrations was the first intuition for the creation of a new kind of music. He slowed down Black Sabbath sepulchral riffs and amplified their bass frequencies into a noisy direction, deeper than Melvins’ one just some years before. First Earth album represents the transformation: from a dilated extreme doom/noise metal to the pure vibration. In 1993, when everyone in Seattle (even King Buzzo) pursued the perfect rock song, he completely deconstructed rock music creating an unusual wall of sound, close to kosmische musik and minimalism. Yet Earth music is so raw, inaccurate and dirty that cannot have any deliberate intellectual claim…in pure rock style!