Euromasters ‎– Alles Naar De Kl--te

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Tracklist

Alles Naar De Kl--te (Rotterdam Mix) 3:04
Alles Naar De Kl--te (Wij Doen Niet Mee Aan De Moduh) 2:35
Alles Naar De Kl--te (250 BPM ~~ Oef!) 1:45
Alles Naar De Kl--te ('K Dachgut Wel) 4:49
Alles Naar De Kl--te (G.J. De Jong Mix) 2:45
Alles Naar De Kl--te (250 BPM Remix By Dimitri) 3:14
Effe Luusteren (Boer Jansen Mix) 1:18

Versions (12)

Cat# Artist Title (Format) Label Cat# Country Year
ROT 009 Euromasters Alles Naar De Kl--te(12") Rotterdam Records ROT 009 Netherlands 1992 Sell This Version
861 063-1 Euromasters Alles Naar De Kl--te(12") Polydor 861 063-1 Germany 1992 Sell This Version
RSN 44 Euromasters Alles Naar De Kl--te(12") Rising High Records RSN 44 UK 1992 Sell This Version
ROT 209 Euromasters Alles Naar De Kl--te(7", Single) Rotterdam Records ROT 209 Netherlands 1992 Sell This Version
861 063-2 Euromasters Alles Naar De Kl--te(CD, Maxi) Polydor 861 063-2 Germany 1992 Sell This Version
ROT 109 Euromasters Alles Naar De Kl--te(CD, Maxi) Rotterdam Records ROT 109 Netherlands 1992 Sell This Version
ROT NR 509 Euromasters Alles Naar De Kl--te(Cass, Single) Rotterdam Records ROT NR 509 Netherlands 1992 Sell This Version
S.O.B. 164 Euromasters Alles Naar De Kl- -te(12") S.O.B. (Sound Of The Bomb) S.O.B. 164 Italy 1993 Sell This Version
ROT061 Euromasters Alles Naar De Kl--te (Remixes)(12") Rotterdam Records ROT061 Netherlands 1997 Sell This Version
ROT 161, ROT161 Euromasters Alles Naar De Kl--te (Remixes)(CD, Maxi) Rotterdam Records, Rotterdam Records ROT 161, ROT161 Netherlands 1997 Sell This Version
ROT 009 Euromasters Alles Naar De Kl--te(12", RE) Rotterdam Records ROT 009 Netherlands 2003 Sell This Version
ROT 009 Euromasters Alles Naar De Kl--te(12", RE) Rotterdam Records ROT 009 Netherlands 2003 Sell This Version

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G.Monk

G.Monk

September 18, 2010
edited over 7 years ago
referencing Alles Naar De Kl- -te, 12", S.O.B. 164
For me this record is all about the radio version and remarkably this is the only "Alles Naar De Kl- -te" record which contains this version. The dialogue in this version is a bit different than the original rotterdam version. In this version two famous Dutch radio DJ's are being asked to play the song on the radio in stead of DJ Dimitri being asked to remix it. And well they did eventually, because it came in the Dutch Top 40 and Mega Top 50. But allthough it stood in the hitlists for a few weeks it didn't receive that much airplay. I heard it only two, maybe three times being played on the national radio channels.

GoodNF

GoodNF

March 28, 2010
referencing Alles Naar De Kl--te, 12", ROT 009
The second Euromasters release reflected the fact that house and techno were big city music styles, so the "band" disguised themselves as back country farmers on horseback ("hu peerd" in the intro) trying to get their house record plugged ("we also made a nice little house tune, you'd certainly like it...").

The main release spoofs DJ Dimitri (Kneppers), an Amsterdam house DJ who was very popular in Dutch clubland at the time this was recorded. He is offered to make a remix...
For the radio version, two popular Dutch radio jocks (Jeroen van Inkel en Erik de Zwart) are subject to a similar joke: playing the record on the radio...

When you listen to this "maximum number of distorted sounds per second" (as it was reviewed in several dance music magazines), you wouldn't believe the record actually charted. It entered the Dutch Top 40 November 1992, remaining there for 4 weeks and stalling at No. 30 (a feat DJ Dimitri never accomplished...).

Tip: (try to) listen to "Effe Luusteren" (which means "just listen") through an earphone...

The track is said to be giving the name of the Dutch movie "Naar De Klote" (1997), which is all about the Dutch house scene during the nineties. The track was remixed for the soundtrack and is played in the movie when a riot is going on and lots of vinyl records are trashed.
dexterfeng

dexterfeng

July 9, 2003
referencing Alles Naar De Kl--te, 12", ROT 009
What can be said about this. It's completely of it's time. The cover work has been abused and used numerous time in the midwest (Milwaukee in particular).
Possibly one of the more annoying records to come out which is why it is beautiful and should be played a lot more.
Everything is bollocks.
and jumping around like a loon is okay.