Eurythmics ‎– Be Yourself Tonight

Her French accent on track 11 is superb. Nine. Ten.

The slightly overshadowed "be yourself tonight" was a less observed album whereas "revenge" the album after had more success,but be yourself tonight actually had a quite a few hits, like crijevo had said she did turn to a sort of masculine upbeat tone with "would i lie to you" and "its alright (baby's coming back)" there was the impeccable hit of "there must be an angel" which was one of there famous songs along with sweet dreams and who's that girl below are tracks listed of my preference

1.) There must be an angel - If there is any song that annie lenox sung beautifully it was there must be an angel, her vocal range is almost like opera with a sort of motown backing with the clapping and harmonicas

2.) Would i lie to you- the majority of the song is backing vocals and again has a motown feeling like a slight tiny bit of ray charles feeling but an absolute hit none other than the less

3.) sisters are doing it for themselves- another great song wit great vocals performed perfect'ly by annie lenox and great use of synth by david stewart amazing song

hope this helped

How do I buy this disc? I want it ASAP

Shying away from synth-pop, with "Be Yourself Tonight" Eurythmics made a drastic shift to plain and simple rock - gone is the masculine look and the avant-garde experimentation - on first listen (apart from Lennox's poweful vocals), it is almost impossible to connect the same core duo with the likes of "1984 (For the Love Of Big Brother)" and this. The sounds became clearly MOR. While some were taken aback by this decision (disappointed even), the album is a deserved triumph of artistic maturity and content, a thrilling eclectic listen from start to finish - with electronic sequencing still present in the mix (especially on "I Love You Like a Ball and Chain", very easily to be confused with their "Touch"-era stuff + a tiny harmonic leitmotif at the end of "Better To have Lost In Love" that sounds reminiscent of "Sweet Dreams", or a farewell to that - marking a new beginning altogether).

The soul element sparked in their earlier records is now in full reign, with a tendency to explore and exploit further the sound of Tamla Motown. Not a weak song here, the duo's ambitions and criteria were audibly high; stellar performances, aided by the guesting superstars - Aretha Franklin (actually replacing the initially planned guesting spot by Tina Turner), Stevie Wonder and Elvis Costello - pushed the duo into the big league, and towards the mass stadium audiences.

I have this version although without white sleeve with handwriting. I have the normal sleeve. However the runout etchings are correct.