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Gato Barbieri
–
Caliente!
Label:
A&M Records – SP-4597
Format:
Vinyl, LP, Album
Country:
Released:
Genre:
Style:
Tracklist
| A1 | Fireflies | 5:28 |
| A2 | Fiesta | 5:07 |
| A3 | Europa (Earth's Cry Heaven's Smile) | 4:27 |
| A4 | Don't Cry Rochelle | 4:55 |
| A5 | Adios — Part I | 0:33 |
| B1 | I Want You | 5:53 |
| B2 | Behind The Rain | 5:37 |
| B3 | Los Desperados | 6:15 |
| B4 | Adios — Part II | 0:59 |
Companies, etc.
- Phonographic Copyright (p) – A&M Records, Inc.
- Pressed By – Monarch Record Mfg. Co. – △ 21218
- Recorded At – A&R Studios
- Mastered At – A&R Studios
Credits
- Art Direction – Roland Young (3)
- Artwork – Chuck Beeson
- Bass – Gary King
- Drums – Lenny White
- Engineer – Don Hahn
- Engineer [Assistant] – Dave Smith (11), Tom Bush
- Guitar – David Spinozza, Eric Gale, Joe Beck
- Keyboards – Eddy Martinez
- Keyboards, Synthesizer – Don Grolnick
- Mastered By – Bernie Grundman
- Orchestrated By, Conductor – Jay Chattaway
- Percussion – Cachete Maldonado*, Mtume*, Ralph MacDonald
- Photography By – Bill King (12)
- Photography By [fire eater photo] – Raúl Vega*
- Producer – Herb Alpert
- Producer [Associate] – Michelle Barbieri
- Strings – Alan Shulman, Alfred Brown, Charles McCracken, David Nadien, Harold Kohon, Harry Cykman, Harry Glickman, Harry Lookofsky, Matthew Raimondi, Max Ellen, Max Pollikoff, Paul Gershman, Theodore Israel
- Tenor Saxophone, Arranged By, Liner Notes – Gato Barbieri
- Trombone – David Taylor, Paul Faulise, Wayne Andre
- Trumpet – Bernie Glow, Irvin Markowitz*, Marvin Stamm, Randy Brecker
- Written-By – Arthur Ross (tracks: B1), Devadip Carlos Santana* (tracks: A3), Gato Barbieri (tracks: A1, A2, A4, A5, B3, B4), Herb Alpert (tracks: B2), Leon Ware (tracks: B1), Tom Coster (tracks: A3)
Notes
Recorded at A&R Studios RI, New York. Mastered at A&M Studios, Hollywood, California.
Lenny White appears courtesy of Nemperor Records. Randy Becker appears courtesy of Arista Records.
Eric Gale appears courtesy of Columbia Records.
Lenny White appears courtesy of Nemperor Records. Randy Becker appears courtesy of Arista Records.
Eric Gale appears courtesy of Columbia Records.
Other Versions (5 of 35) View All
| Cat# | Artist | Title (Format) | Label | Cat# | Country | Year | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| SP-4597 | Gato Barbieri | Caliente! (LP, Album, RE) | A&M Records | SP-4597 | US | Unknown | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| CD 3247 | Gato Barbieri | Caliente! (CD, Album, RE) | A&M Records | CD 3247 | US | Unknown | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| SLAM 64597 | Gato Barbieri | Caliente! (LP, Album) | A&M Records | SLAM 64597 | Italy | 1976 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| SP-4597 | Gato Barbieri | Caliente! (LP, Album, RE, Ter) | A&M Records | SP-4597 | US | Unknown | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 8357 | Gato Barbieri | Caliente! (LP, Album) | A&M Records | 8357 | Argentina | 1976 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Recommendations
Reviews Show All 3 Reviews
VasiliKochura
October 17, 2014
Just posting to agree with P_Hangman below - this album is a diamond in the rough. Cop it if you see it ( most likely for a buck or two )
P_Hangman
March 11, 2013
Previous releases by Mr. Barbieri were excelent, released without too much commercial potential, but, anyway, they sold great -and they launched Barbieri into global fame.
But don't judge this so early. Sure, it was released on A&M and produced by Herb Alpert (Great pop potential up to this point...). And fully released in America and Europa. But, instead of being a cheesy pop-infected record, this is a really DIVINE one.
Gato Barbieri was capable in here to do something that few could in that era: to blend his own style into (some) pop tunes, without sounding crappy. That element is spread all over this marvelous album: the funky "Fireflies", the dreamy "Fiesta", the great cover of "Europa" (I got to admit that this was the version that i first listened of the Santana song), that other excelent cover of "I Want You", and "Los Desesperados", where it can be noticed much of the original style of Barbieri. And it got some short interludes that doesn't sound unnecesary. Excelent for a rainy day.
Folks, really, hear this. It's fantastic and it shouldn't be missed by any Gato follower or even the listeners of Soul, Funk and Jazz. Is a great point in "Cat" Barbieri's carreer.
But don't judge this so early. Sure, it was released on A&M and produced by Herb Alpert (Great pop potential up to this point...). And fully released in America and Europa. But, instead of being a cheesy pop-infected record, this is a really DIVINE one.
Gato Barbieri was capable in here to do something that few could in that era: to blend his own style into (some) pop tunes, without sounding crappy. That element is spread all over this marvelous album: the funky "Fireflies", the dreamy "Fiesta", the great cover of "Europa" (I got to admit that this was the version that i first listened of the Santana song), that other excelent cover of "I Want You", and "Los Desesperados", where it can be noticed much of the original style of Barbieri. And it got some short interludes that doesn't sound unnecesary. Excelent for a rainy day.
Folks, really, hear this. It's fantastic and it shouldn't be missed by any Gato follower or even the listeners of Soul, Funk and Jazz. Is a great point in "Cat" Barbieri's carreer.
davidfiskum
November 8, 2015