Interface ‎– The Toytown E.P

Rising High Records ‎– RSN14
Vinyl, 12", EP, 33 ⅓ RPM


A1 Do It
A2 Out Yer Face
A3 The Return Of Godzilla
B1 Spectre (Remix)
B2 Look At Their Eyes

Companies, etc.



*Originally on Moving Shadow.
Recorded at Mike's Gaff.
c/m Ash
℗ Rising High Records

Track A1 samples:
Dialogue from the film Altered States

Track A2 samples:
Vocal from Afrika Bambaataa & The Soulsonic Force - Planet Rock

Track A3 samples:
Dialogue from film Destroy All Monsters

Track B1 samples:
Vocal from Peech Boys - Don't Make Me Wait
Vocal from N.W.A. - Something 2 Dance 2

Track B2 samples:
Vocal from N.W.A. - Something 2 Dance 2
Vocal from Temple Of Life - E.D.P.

Barcode and Other Identifiers

  • Barcode: 5 021533 808227
  • Matrix / Runout (Etchings side A): RSN 14 A1 RISING HIGH IN TOYTOWN A Porky Prime Cut.
  • Matrix / Runout (Etchings side B): RSN-14.B3 A Porky Prime Cut.

Other Versions (3 of 3) View All

Cat# Artist Title (Format) Label Cat# Country Year
RSN 3015 Interface The Toytown EP (2017 Remasters)(6xFile, MP3, RM, 320) Rising High Records RSN 3015 UK 2017
RSN 14 Interface Toytown E.P.(12", EP, TP, W/Lbl) Rising High Records RSN 14 UK 1992 Sell This Version
RSN 14 Interface Toytown E.P.(12", W/Lbl, Sta) Rising High Records RSN 14 UK 1992 Sell This Version


Reviews Show All 6 Reviews

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July 22, 2018
Another release on Rising High Records with 1992 as full release date, but which was featured in some DJs sets in late 1991. By many big name DJs aswell.


March 9, 2016
Yeah, killer EP.
Interested to find out more about the '*Originally on Moving Shadow.' text on the label. There doesnt seem to be any cat for it on Discogs?


April 13, 2005
edited over 14 years ago

Mix A2 is possibly the track on here which cranks the mentalism to the maximum! It's a random sequence of stabs, apparantly made when his sampler crashed. Nasty.


April 11, 2005
edited over 14 years ago

These are not five mixes of the same track, but five entirely different tunes.
The most striking thing about them is that all the A side tunes plus B1 don't have basslines at all. They are wild synth attacks over crisp breakbeats, interrupted by occasional voice samples. The lack of basslines lets the bassdrum fully kick through.
The suspicion that Mike Ash lacked the ability to make more complex tracks is removed by B2, which is a techno tune - and does have a bassline.