Tracklist Hide Credits
Featuring – Vehscle
|2||CCPC1 (Alternative Mix)||8:59|
Featuring – DJ Hazard (3)
|4||The Lincoln Battalion (Tributo)||1:00|
Featuring – Trío Antimanierista
|6||A Francisco López||6:06|
Featuring – Irene La Sen
|12||Bailey Vs Schaeffer||6:29|
|13||Ensemble 1 & 2||2:07|
Featuring – Zanstones
|18||Señores, La Piscina Ha Muerto
Featuring – Zanoisect
|19||Música Concreta Española. Serie I||4:47|
-Track 1: Unreleased. Collaboration with Canadian artist Vehscle. Electroacoustic representation of the sound metabolism of two Spanish and Canadian cities (2008).
-Track 2: Unreleased. Sounds generated at the C.C. Puertas de Castilla building. Symbiosis between walls of architectural distortion and their own random inhabitants, a study about sound space as resonant box. Recorded in February 2008. Originally released in C.C.P.C. by Hazard Records #064, Spain (2010).
-Track 3: Anki Toner, the mythical Spanish underground musician, remixes and samples, under the DJ Hazard alias, part of the works released in his own Hazard Records label. In this mix, he works from a Jazznoize piece, originally released in Terra, Hazard Records #061, Spain (2009).
-Track 4: A homage to the Lincoln Brigade, that fought in the Spanish Civil War for the 2nd Republic and against fascism. From International Email Audio Art Project. Volume 1, (Directed by Hal Mcgee), Haltapes, USA (2010).
-Track 5: Collaboration with the free improv group from Madrid. First of the five movements in the “Vórtice” release. Ruidemos #109, Spain (2009).
-Track 6: Unreleased. Dedicated to Francisco López, my master and main reference in sonic investigation. Edits from a project directed by López. Water piping, the liquid element as the main reference for experimentation (2010).
-Track 7: From the Tao compilation. Tecnonucleo #TN012, Spain (2009).
-Track 8: The first work of Irene and Jazznoize. The spoken word is reborn as a musical instrument demolished by the words of sound poetry, where the manipulation of the voice is the protagonist. Jazznoize works from a poem called “Los Métodos” of the young poet Irene Del Valle. All the sounds originate from the voice of the Majorcan poet, the words act as an instrument. From Los Métodos, Isolationism #ISOR024, Austria (2010).
-Track 9: Urban recordings. The concrete jungle as an instrument. From Alba, Biodata #29, Venezuela (2010).
-Track 10: Unreleased. Reinterpretation of "Cetus" (2008).
-Track 11: Unreleased. Reinterpretation of the video "Clic" from the DVD/CD “Sudamerica Electronica 2. Extreme Noise Extreme Nature”, Sudamerica Electronica, Argentina (2008).
-Track 12: Unreleased. Originally produced in tape (2005).
-Track 13: Unreleased (2007).
-Track 14: Unreleased. Recorded in La Huerta, Murcia.
-Track 15: Recorded in the fields of Fortuna, Spain, in 2008. Released in Iberia, Ruidemos #97, Spain (2009).
-Track 16: Recordings of the holy week celebrations, good friday procession at Salzillo, Murcia. Manipulation of old vinyl and folk religious recordings. From "Sediments", Just Not Normal 095, The Netherlands (2010).
-Track 17: 2009 collaboration with Zan Hoffman (USA). From "Zanoise", Zeromoon #107, USA (2010).
-Track 18: Excerpt from a collaboration with Zan Hoffman (2010).
-Track 19: Unreleased. Work for the upcoming series of concrete music (2010).
-Track 20: Unreleased. Mix from the # Series. Sample (#12, #12.5, #17).
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