Kaya Project ‎– ...And So It Goes

Label:
Interchill Records ‎– ichill cd 035
Format:
CD, Album
Country:
Released:
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Tracklist Hide Credits

1 Always Waiting
Clarinet – Susi EvansViolin – Deepak PanditVocals, Featuring – Irina Mikhailova
7:18
2 Jamming With Marco
Blues Harp – Ali TaylorClarinet – Susi EvansViolin – Deepak PanditVoice [Spoken Word] – Marco de Luca (2)
3:51
3 Deep Kaya
Clarinet – Susi EvansVocals, Featuring – Irina Mikhailova
4:10
4 Zema Lasu
Vocals, Featuring – Randolph Matthews
4:15
5 The Source
Keyboards, Electric Piano [Rhodes], Piano – Natasha ChamberlainMandolin – Marco de Luca (2)Violin – Deepak PanditVocals, Featuring – Deeyah
4:37
6 Five Plus Eight 5:11
7 Saranghi Breaks
Violin – Deepak PanditVocals – Natasha Chamberlain, Sabiha Khan
4:44
8 Hirajoshi 1:29
9 ...& So It Goes
Effects [Uganda Sound FX Recorded By] – Tom ThorleyFlute – Natasha Chamberlain, Seb Taylor*
5:47
10 Shifting Sands
Violin – Deepak PanditVocals – Natasha ChamberlainVocals, Featuring – Randolph Matthews
4:32
11 Dark Roads
Clarinet – Susi EvansFlute – Seb Taylor*Violin – Deepak PanditVocals – Natasha Chamberlain, Sabiha Khan
6:21
12 Obsidian Beats
Violin – Deepak PanditVocals – Natasha Chamberlain
6:02
13 Drift
Clarinet – Susi EvansVocals, Keyboards, Electric Piano [Rhodes], Piano, Flute – Natasha Chamberlain
3:17
14 Awaken
Clarinet – Susi EvansViolin – Deepak PanditVocals, Flute – Natasha Chamberlain
3:45
15 Bekhudi
Clarinet – Susi EvansVocals – Florence CommentVoice [Spoken Word] – Shyam Ravindran
4:31
16 Outside Looking In
Vocals, Featuring – Randolph Matthews
5:31
17 Under The Spell
Violin – Deepak PanditVocals – Natasha Chamberlain
4:01

Companies, etc.

Credits

Notes

All tracks recorded at Foxglove Studios, London, UK
Deepak Pandit & Sabiha Khan recorded @ BM Digital, Mumbai

'Always Waiting' contains samples from 'Deer Park' by Tripswitch (Nick Brennan)
'The Source' features vocal samples from 'Oh Mother' by Deeyah

Mic wrangler: Tom Currie
Telecaster wrangler: Joey Mason (DJ Slinky)
Clarinet session facilitated by Massimo (DJ Nova)

Packaged in an 8 panel Digipak.

Barcode and Other Identifiers

  • Barcode: 5060147123067
  • Matrix / Runout: | ICHILLCD035CD | ARABESQUE DISTRIBUTION LTD | *021068 |
  • Mastering SID Code: IFPI LD11
  • Mould SID Code: IFPI 5Q74

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Reviews Show All 2 Reviews

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Le_Lotus_Bleu

Le_Lotus_Bleu

June 19, 2009

An acoustic ethno-chill album with vocals, on the paper the concept didn't amaze me that much.
As
soon i understood the form it took through the use of bassoon in several
tracks or warm, muffled & soft African vocals or country-folk
influences; i started reconsidering my view about this new Kaya
Project's album.
Seb Taylor has operated some unexpected
alchemies ranging from classic to oriental via Asian, jazzy,African,
country-folk or break beat.
The most astonishing resides in
his capacity to employ very distinctly sometimes 3 or 4 big influences
in unique coherent tracks.

In order to
highlight the previous statement, i'd recommend the listen of "Jammin
with Marco", "Saranghi Breaks", "Zema Lasu", "Five plus Eight",
"Bekhudi" in order to catch a clear idea of the result.

mark: 8/10
Headphone_Commute

Headphone_Commute

February 21, 2009
The latest release from Kaya Project titled, ...And So It Goes, is full of spiritual and ethnic elements, multi-lingual vocals, and world infused beats. This is a third full length album from a collaborative duo of Sebastian James Taylor and Natasha Chamberlain. Incorporating digital production design with organic instruments, Taylor and Chamberlain create a beautiful downtempo album with elements of tribal rhythms and dusty dub grooves. This album is full of contributions from many artists, like Deepak Pandit on Indian violin, Susi Evans on clarinet, and excellent vocals by Irina Mikhailova. Some of the above artists have previously worked with Taylor under his other moniker, Hibernation, with the very latest release, Some Things Never Change (Aleph Zero, 2008). Taylor has always been a pretty busy guy. On the side, he manages to put out 12" breakbeat EPs on Sinister Recordings under his Digitalis alias. Meanwhile, some may recall his early psytrance work under Shakta moniker, with the last album being Feed The Flame (Dragonfly, 2004). In this latest work, Taylor and Chamberlain join forces once more, to display their wide artistic range through music that is at once relaxing, groovy, and earthbound. One can picture carefree belly-dancers performing around the fire, circled by musicians connected to their instruments with heart and soul. It is at once a feeling of happiness and unity with the one. Recommended for the likes of Asura, Tripswitch, Solar Fields and Entheogenic.