Kraan ‎– Andy Nogger

Spiegelei ‎– 26 439-0 U
Vinyl, LP, Album


A1 Stars 5:17
A2 Andy Nogger 3:50
A3 Nam Nam 5:50
A4 Son Of The Sun 5:02
B1 Holiday Am Marterhorn 7:40
B2 Home 5:40
B3 Yellow Bamboo 4:25

Companies, etc.



Recorded at Conny's Studio July 1974.

©℗1974 Spiegelei/Intercord
Printed in Germany by Druckhaus Maack KG, Lüdenscheid

Barcode and Other Identifiers

  • Matrix / Runout (Side A, runout stamped): A-1922 A1/S3A
  • Matrix / Runout (Side B, runout stamped): A-1922 B1/S3A
  • Matrix / Runout (Sides A & B, runout stamped): Made in Germany
  • Rights Society: GEMA

Other Versions (5 of 14) View All

Cat# Artist Title (Format) Label Cat# Country Year
7243 8 22670 2 7 Kraan Andy Nogger(CD, Album, RE, RM, Med) Intercord, EMI Electrola 7243 8 22670 2 7 Europe 2004 Sell This Version
7243 8 22670 2 7 Kraan Andy Nogger(CD, Album, RE, RM, EMI) Intercord, EMI Electrola 7243 8 22670 2 7 Europe 2001 Sell This Version
GULP 1009, GULP.1009 Kraan Andy Nogger(LP, Album) Gull, Gull GULP 1009, GULP.1009 UK 1975 Sell This Version
INT 135.608, 135.608 Kraan Andy Nogger(LP, Album, RP) Spiegelei, Spiegelei INT 135.608, 135.608 Germany 1980 Sell This Version
KRNCD-030302/112 Kraan Andy Nogger(CDr, Album, Unofficial) Not On Label (Kraan) KRNCD-030302/112 Russia 2000 Sell This Version



Add Review



February 12, 2014
Review from my KRAutrock's Arabian Nights feature in Audion #46 (2002)...
Kraan reached the peak of their international success with the release of ANDY NOGGER (their third studio album) and LIVE (a double album recorded in Berlin's "Quartier Latin" by veteran engineer Conny Plank) which preceded Kraan's first tour in Britain. Much of the material was in common on these releases, showing how different Kraan were as a live and studio band. ANDY NOGGER was totally refined, precise and punchy, whereas LIVE found them wigging-it-out, with lots of jams extending favourite tracks, notably a brilliant Kraan Arabia and some new numbers, but curiously nothing from WINTRUP. It has been said that Hattler's bass had become the lead instrument on many tracks, with his fiery runs, finger picking and dazzling chord progressions being an amazing sight to see. I know, as I saw them on the Old Grey Whistle Test, and the weird guy with the enormous bass was what most impressed me.