Limbonic Art – In Abhorrence Dementia
Label:
Nocturnal Art Productions – ECLIPSE 008
Format:
CD, Album
Country:
Released:
Genre:
Style:
Tracklist
1 | In Abhorrence Dementia | 7:26 |
2 | A Demonoid Virtue | 7:39 |
3 | A Venomous Kiss Of Profane Grace | 7:05 |
4 | When Mind And Flesh Depart | 7:39 |
5 | Deathtrip To A Mirage Asylum | 12:14 |
6 | Under Burdens Of Life's Holocaust | 6:25 |
7 | Oceania | 0:44 |
8 | Behind The Mask Obscure | 7:15 |
9 | Misanthropic Spectrum | 7:17 |
Companies, etc.
- Mastered At – Strype Audio
- Recorded At – Pete's Place Recording Studio
- Pressed By – Euro CD Norge A/S
Credits
- Artwork By [Cover Artwork By] – Morfeus
- Keyboards [Keymaster], Vocals, Guitar – Morfeus
- Lead Vocals, Lyrics By [Nocturnal Poetry], Guitar [Guitars] – Daemon (2)
- Mastered By – Vargnatt Inc.
- Mixed By – Peter Lundell
- Photography [Video For Photos By] – Grim Lindberg
- Producer [Produced By] – Limbonic Art, Peter Lundell
- Sequenced By [Sequencing By] – Morfeus, Simen Scharning
- Vocals [Additional Female Vocals] – Lisbeth F.*, Morgana (4)
Notes
Recorded at Pete's Place Recording Studio, Sandefjord, Norway.
Mastered at Strype Audio.
Official & exclusive distributors: House Of Kicks - Sweden / Adipocere & Media 7 - France / Invasion - Germany / Spinefarm - Finland / Modern Invasion - Australia & New Zealand / Hammerheart - Benelux / Repulse - Spain / PHD - England / Avantgarde - Italy / Napalm - Austria / Witchhunt - Switzerland / Relapse, Necropolis, Abyss, Elegy, Fullmoon & Century Media - USA / Regress - Argentina / Hammerheart - South Korea / T.H.A. - Japan / Mystic - Poland
Total running time: 63:49
Track #4 is misspelled as "When Mind And Flesh Departs" on the back sleeve - it's spelled correctly in the booklet.
Mastered at Strype Audio.
Official & exclusive distributors: House Of Kicks - Sweden / Adipocere & Media 7 - France / Invasion - Germany / Spinefarm - Finland / Modern Invasion - Australia & New Zealand / Hammerheart - Benelux / Repulse - Spain / PHD - England / Avantgarde - Italy / Napalm - Austria / Witchhunt - Switzerland / Relapse, Necropolis, Abyss, Elegy, Fullmoon & Century Media - USA / Regress - Argentina / Hammerheart - South Korea / T.H.A. - Japan / Mystic - Poland
Total running time: 63:49
Track #4 is misspelled as "When Mind And Flesh Departs" on the back sleeve - it's spelled correctly in the booklet.
Other Versions (5 of 15) View All
Cat# | Artist | Title (Format) | Label | Cat# | Country | Year | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Canus0021CD | Limbonic Art | In Abhorrence Dementia (CD, Album, RE) | Candlelight Records USA | Canus0021CD | US | 2001 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
ECLIPSE008 | Limbonic Art | In Abhorrence Dementia (CD, Album, RP) | Nocturnal Art Productions | ECLIPSE008 | Norway | Unknown | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
FL50 | Limbonic Art | In Abhorrence Dementia (2xLP, Album, Ltd, RE) | Floga Records | FL50 | Greece | 2012 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
M-0023 | Limbonic Art | In Abhorrence Dementia (CD, Album, Unofficial) | Спюрк | M-0023 | Russia | Unknown | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
ECLIPSE 008 | Limbonic Art | In Abhorrence Dementia (CD, Album, Promo) | Nocturnal Art Productions | ECLIPSE 008 | Norway | 1997 | Sell This Version |
Recommendations
Reviews Show All 2 Reviews
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JosBosmans
February 12, 2006
edited over 13 years ago
It's been a long time since I last really enjoyed something in the vein of "black metal", but hearing this album again really brings back the good days.
I remember how at the time I was delighted to discover Limbonic Art in general, and this album in particular. It combined the brutality that is the most predominant element with contemporary bands such as Emperor or Darkthrone (although they, too, are praised for their own approach that some stubborn hardliners would call gay), and the extended use of synths (synths, at that, that don't always try to mimic real instruments) that add to the atmosphere. The synthetic side of things is backed up further through the use of drum machines that don't try to hide the fact that they're programmed.
I know that Cradle of Filth and Dimmu Borgir have sort of changed the face of black metal (I won't go into detail on whether it was for the good or for the worse), but with Limbonic Art, I've never felt the threat of cheap commercialism.
It's this mix of brutality and sensitivity that appeals to me. Very stylish, subtle, multi-faceted. I've rediscovered that style in all sorts of electronics later on, but this album amongst others is still delightful to hear.
I remember how at the time I was delighted to discover Limbonic Art in general, and this album in particular. It combined the brutality that is the most predominant element with contemporary bands such as Emperor or Darkthrone (although they, too, are praised for their own approach that some stubborn hardliners would call gay), and the extended use of synths (synths, at that, that don't always try to mimic real instruments) that add to the atmosphere. The synthetic side of things is backed up further through the use of drum machines that don't try to hide the fact that they're programmed.
I know that Cradle of Filth and Dimmu Borgir have sort of changed the face of black metal (I won't go into detail on whether it was for the good or for the worse), but with Limbonic Art, I've never felt the threat of cheap commercialism.
It's this mix of brutality and sensitivity that appeals to me. Very stylish, subtle, multi-faceted. I've rediscovered that style in all sorts of electronics later on, but this album amongst others is still delightful to hear.
Tubaruben
December 9, 2016