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Lou Harrison – Drums Along The Pacific
Label:
New Albion – NA122
Format:
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Tracklist Hide Credits
| 1 |
Threnody For Carlos ChavezDirected By [Director] – William WinantGamelan – Gamelan Sekar KembarPerformer – Carla Fabrizio, David Johnson (6), Gordon Smith (13), Joel Davel, Sam Ospovat, Todd ManleyViola – Geraldine Walther |
8:04 |
| 2 |
Simfony # 13Cowbell [Cowbells], Percussion [Water Buffalo Bells], Wood Block [Wood Blocks] – David Johnson (6)Gong [Suspended And Muted], Tam-tam [Large], Percussion [Elephant Bell], Cymbal, Triangle – William WinantOrchestra – William Winant Percussion Group*Temple Bells, Drums [Suspended And Muted Automobile Brake] – Todd ManleyTom Tom [Tom-Toms], Drum [Contrabass] – David Rosenthal (3) |
8:53 |
Music For Violin With Various Instruments - European, Asian & AfricanMbira [1], Drums [Chinese] – William WinantMbira [2], Organ [Reed] – Julie SteinbergMbira [3], Psaltery – Jennifer CassMbira [4] – Gordon Smith (13)Violin – David Abel |
(11:09) | |
| 3 | I Allegro, Vigoroso | 3:38 |
| 4 | II Largo | 4:15 |
| 5 | III Allegro Moderato | 3:16 |
| 6 |
FugueBells [Meditation], Drums [Brake], Percussion [Washtub] – David Rosenthal (3)Idiophone [Flexatone], Claves, Maracas – William WinantMetallophone, Percussion [Box], Cowbell [Cowbells] – Daniel KennedyOrchestra – William Winant Percussion Group*Percussion [Bell-Coils], Bass Drum, Gong [Gongs], Cymbal [Suspended Turkish], Triangle [Triangles] – Todd Manley |
3:55 |
| 7 |
Song Of QuetzalcóatlCowbell [5 Cowbells], Drums [5 Suspended And Muted Brake], Rattle [Wooden] – Todd ManleyOrchestra – William Winant Percussion Group*Percussion [5 Glasses, 5 Dragon's Mouths, Sistrums], Wood Block [5 Woodblocks] – William WinantSnare [Snare Drum], Guiro, Percussion [Windglass], Triangle, Gong, Tam-tam – David Rosenthal (3)Tom Tom [5 Tom-Toms], Drum [Contrabass] – Daniel Kennedy |
6:32 |
| 8 |
Canticle # 3Bells [Water Buffalo, Medium Elephant], Percussion [Wooden Box, Sistrums] – Daniel KennedyConductor – Dennis Russell DaviesDrums [Suspended And Muted Brake], Xylophone [Small], Temple Block [Temple Blocks], Maracas, Bells [Small Elephant] – William WinantGuitar – Robert StrizichOcarina – Leta MillerPercussion [5 Tongued Teponazli], Cowbell [5 Cowbells], Tam-tam [Large] – Todd ManleyPipe [6 Pipes], Wood Block [5 Woodblocks] – Scott Evans (3)Snare [Snare Drum], Tom Tom [Tom-Toms], Drum [Contrabass], Bells [Large Elephant] – David Rosenthal (3) |
14:36 |
| 9 |
Solo To Anthony CironeBells [Tenor] – William Winant |
2:43 |
Companies, etc.
- Copyright (c) – New Albion Records
- Phonographic Copyright (p) – New Albion Records
- Published By – Hermes Beard Press
- Published By – Belwin-Mills Publishing Corp.
- Published By – peermusic
- Published By – Music For Percussion, Inc.
- Recorded At – Fantasy Studios
- Recorded At – Bay Records Recording Studios
- Recorded At – UCSC Performing Arts Concert Hall
- Mastered At – Classic Sound, New York
Credits
- Artwork [Cover Art] – Mark Bulwinkle
- Design – Michael Halaas
- Edited By – Maggi Payne
- Edited By [Editor] – Maggi Payne (tracks: 1 to 5)
- Engineer – Myles Boisen (tracks: 9), Bob Shumaker* (tracks: 6, 7), Stephen Hart (tracks: 1 to 5)
- Engineer [Assistant] – Jesse Nichols (tracks: 1 to 5)
- Engineer, Edited By [Editor] – Gregory K. Squires (tracks: 8)
- Liner Notes – Leta Miller
- Mastered By – Joe Lambert
- Music By – Lou Harrison
- Photography By [Dedication Photo By] – Eva Soltes
- Photography By [Inside Back Cover Photo By] – Betty Freeman
- Producer – Foster Reed, William Winant
- Read By [Score Reader] – John Schott (tracks: 1 to 5), Myles Boisen (tracks: 1 to 5)
- Technician [Instrument] – Leon Schneiderman (tracks: 1 to 5)
Notes
Track 1 composed in 1978; published by Hermes Beard Press; recorded at Fantasy Records, Berkeley, August 2002
Track 2 composed in 1941; published by Belwin-Mills; recorded at Fantasy Records, Berkeley, August 2002
Tracks 3-5 composed in 1967, revised 1969; published by Peer Music; recorded at Fantasy Records, Berkeley, August 2002
Track 6 composed in 1942; published by Music for Percussion, Inc.; recorded at Bay Records, Berkeley, August 1993
Track 7 composed in 1941; published by Music for Percussion, Inc.; recorded at Bay Records, Berkeley, August 1993
Track 8 composed in 1942, revised 1989; published by Music for Percussion, Inc.; recorded at U.C. Santa Cruz, Performing Arts Concert Hall, July 1989
Track 9 composed in 1972; published by Hermes Beard Press; recorded at the home of Lou Harrison, Aptos, December 2002
Tracks 6 & 7 previously released on 'The Perilous Chapel', NA 055 CD
Track 8 originally released on MusicMasters MMD 60241X
Total Time 56:22
Mastered By Joe Lambert, Classic Sound
This record was partially supported by the Aaron Copland Fund for Music Recordings
New Albion Records NA122 ©℗ 2003
―
Issued in a standard jewel case including a 16-page booklet.
Track 2 composed in 1941; published by Belwin-Mills; recorded at Fantasy Records, Berkeley, August 2002
Tracks 3-5 composed in 1967, revised 1969; published by Peer Music; recorded at Fantasy Records, Berkeley, August 2002
Track 6 composed in 1942; published by Music for Percussion, Inc.; recorded at Bay Records, Berkeley, August 1993
Track 7 composed in 1941; published by Music for Percussion, Inc.; recorded at Bay Records, Berkeley, August 1993
Track 8 composed in 1942, revised 1989; published by Music for Percussion, Inc.; recorded at U.C. Santa Cruz, Performing Arts Concert Hall, July 1989
Track 9 composed in 1972; published by Hermes Beard Press; recorded at the home of Lou Harrison, Aptos, December 2002
Tracks 6 & 7 previously released on 'The Perilous Chapel', NA 055 CD
Track 8 originally released on MusicMasters MMD 60241X
Total Time 56:22
Mastered By Joe Lambert, Classic Sound
This record was partially supported by the Aaron Copland Fund for Music Recordings
New Albion Records NA122 ©℗ 2003
―
Issued in a standard jewel case including a 16-page booklet.
