Marvin Dash ‎– Model Turned Programmer

Label:
STIR15 Recordings ‎– STIR15-CD6, STIR15 Recordings ‎– STIR-15-CD6
Format:
CD, Album
Country:
Released:
Genre:
Style:

Tracklist

1 Introduction 0:33
2 Model Turned Programmer 7:01
3 Red Sparrow 6:25
4 Leading In (Interlude #1) 1:01
5 Chocolate Weazle (Original Mix) 4:56
6 Rush Hour 6:35
7 Motorcycle Emptyness 6:05
8 In Between (Interlude #2) 1:25
9 Beat Treats (CD Edit) 9:13
10 Friday Night With Burt Reynolds 8:37
11 Damn Campers (Club Mix) 6:34
12 Looks Like We Are Coming Closer Tonite 6:43

Companies, etc.

Credits

Barcode and Other Identifiers

  • Barcode (Text): 7 18755 65792 8
  • Barcode (Scanned): 718755657928
  • Matrix / Runout: STIR 15 CD 6 P+O-58299-A2 10-02
  • Mastering SID Code: IFPI L962
  • Mould SID Code: IFPI 3J07
  • Rights Society: GEMA
  • Label Code: LC 10832

Other Versions (3 of 3) View All

Cat# Artist Title (Format) Label Cat# Country Year
STiR15-DLP 6 Marvin Dash Model Turned Programmer(2xLP) STIR15 Recordings STiR15-DLP 6 Germany 2002 Sell This Version
STiR-1529 Marvin Dash Model Turned Programmer(2xLP) STIR15 Recordings STiR-1529 Germany 2002 Sell This Version
STiR15-DLP 6 Marvin Dash Model Turned Programmer(2xLP, W/Lbl) STIR15 Recordings STiR15-DLP 6 Germany 2002 Sell This Version

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Reviews

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scoundrel

scoundrel

December 9, 2005
edited over 12 years ago

Good deep house from Marvin Dash on his album MODEL TURNED PROGRAMMER. The title alone makes me curious what he looks like, though the smooth juiciness of "Red Sparrow" makes me think he's a German version of a player. "Chocolate Weazel" only confirms my suspicions. The disco-gloss of "Rush Hour" isn't as nice, though, and highlights the weakness of the album: that Dash has a tendency to overuse a single theme in his music. If it's a good one, there's no problem. But it's a weaker one, like the long "Beat Treats"... This isn't a problem for "Motorcycle Emptyness," which parlays its theme into a delicate deepness or for "Friday Night with Burt Reynolds" (though the latter is probably a bit too long). "Looks Like We Are Coming Closer Tonite" ends the album on a slower note (and a forced fade-out), though no less danceable. Nice, if not particularly noteworthy.