Marvin Dash – Model Turned Programmer
Label: | STIR15 Recordings – STIR15-CD6, STIR15 Recordings – STIR-15-CD6 |
---|---|
Format: | CD, Album |
Country: | Germany |
Released: | |
Genre: | Electronic |
Style: | Deep House, Tech House |
Tracklist
1 | Introduction | 0:33 | |
2 | Model Turned Programmer | 7:01 | |
3 | Red Sparrow | 6:25 | |
4 | Leading In (Interlude #1) | 1:01 | |
5 | Chocolate Weazle (Original Mix) | 4:56 | |
6 | Rush Hour | 6:35 | |
7 | Motorcycle Emptyness | 6:05 | |
8 | In Between (Interlude #2) | 1:25 | |
9 | Beat Treats (CD Edit) | 9:13 | |
10 | Friday Night With Burt Reynolds | 8:37 | |
11 | Damn Campers (Club Mix) | 6:34 | |
12 | Looks Like We Are Coming Closer Tonite | 6:43 |
Companies, etc.
- Distributed By – EFA – EFA 56579-2
- Distributed By – Wordandsound
- Glass Mastered At – P+O Pallas – 58299
Credits
- Design – Sven Michel
- Programmed By, Producer – Marvin Dash
Barcode and Other Identifiers
- Barcode (Text): 7 18755 65792 8
- Barcode (Scanned): 718755657928
- Matrix / Runout: STIR 15 CD 6 P+O-58299-A2 10-02
- Mastering SID Code: IFPI L962
- Mould SID Code: IFPI 3J07
- Rights Society: GEMA
- Label Code: LC 10832
Other Versions (3)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Model Turned Programmer (2×LP) | STIR15 Recordings, STIR15 Recordings, STIR15 Recordings | STiR15-DLP 6, STIR-1529, STIR1529 | Germany | 2002 | ||
New Submission | Model Turned Programmer (2×LP, White Label) | STIR15 Recordings | STiR15-DLP 6 | Germany | 2002 | ||
New Submission | Model Turned Programmer (12×File, MP3, Album, Reissue, 320 kbps) | Moon Harbour Recordings | MHRLP028 | Germany | 2022 |
Recommendations
Reviews
- Edited 18 years agoGood deep house from Marvin Dash on his album MODEL TURNED PROGRAMMER. The title alone makes me curious what he looks like, though the smooth juiciness of "Red Sparrow" makes me think he's a German version of a player. "Chocolate Weazel" only confirms my suspicions. The disco-gloss of "Rush Hour" isn't as nice, though, and highlights the weakness of the album: that Dash has a tendency to overuse a single theme in his music. If it's a good one, there's no problem. But it's a weaker one, like the long "Beat Treats"... This isn't a problem for "Motorcycle Emptyness," which parlays its theme into a delicate deepness or for "Friday Night with Burt Reynolds" (though the latter is probably a bit too long). "Looks Like We Are Coming Closer Tonite" ends the album on a slower note (and a forced fade-out), though no less danceable. Nice, if not particularly noteworthy.
Release
For sale on Discogs
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