Mory Kanté ‎– Yeke Yeke

Ffrreedom ‎– TABX 226, Going Global Series ‎– TABX 226, Barclay ‎– TABX 226
Vinyl, 12", 33 ⅓ RPM

Companies, etc.



Going Global Series would like to thank Ramon and Oliver, P.O.p. Promotions, Global Exports, Amato Disco, Think Electric, FFRR posse and all the European and American DJ's.

Barcode and Other Identifiers

  • Barcode (Text): 0 42285 17031 3
  • Barcode (Scanned): 042285170313
  • Label Code: LC 7654
  • Distribution Code: BA 122
  • Matrix / Runout (A Side): TABX 226 A-1 ₍ ₎ SIMON THE EXCHANGE
  • Matrix / Runout (B Side): TABX 226 B_1 ₍ ₎ SIMON - THE EXCHANGE

Other Versions (5 of 64) View All

Cat# Artist Title (Format) Label Cat# Country Year
887 048-7 Mory Kante* Yé Ké Yé Ké(7", Single) Barclay 887 048-7 France 1987 Sell This Version
FXDJ 288 Mory Kante* Yeke Yeke(2x12", Promo) FFRR FXDJ 288 UK 1996 Sell This Version
887 048-1 Mory Kante* Yé Ké Yé Ké(12", Maxi) Barclay 887 048-1 France 1987 Sell This Version
887 948-1 Mory Kante* Yé Ké Yé Ké(12", Promo) Polydor 887 948-1 US 1987 Sell This Version
MKDJX 1 Mory Kanté Yé Ké Yé Ké(12", Promo) London Records MKDJX 1 UK 1987 Sell This Version


Reviews Show All 6 Reviews

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April 20, 2005
edited over 13 years ago

File this under "guilty listening pleasure." OK, no serious (cough) electronic music type would be caught dead listening to a record that now seems to have all of the elements that are generally despised: the "ethnic" vocal sample (OK, at least Hardfloor were actually remixing the vocal here, instead of it being another example of Johnny Laptop going down to the World Music section of his local Best Buy and picking up "African Tribal Noises Vol. 13" and looping it in his sampler) - the acid line - and, since it's 1995 - the obligatory big, big, oh-so-big rolling-snare-drum build up right in the center of it.

Yes, this record has 1995 written all over it - but there's just something about it that just kicks ass. If I could only have one record in my collection that exemplified this 1995 sound, it'd be this one. One night I listened to it about ten times in a row. You get the idea.