Mouse On Mars ‎– Iaora Tahiti

Label:
Rough Trade ‎– RTD 121.3087.2
Format:
CD, Album
Country:
Released:
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Tracklist Hide Credits

1 Stereomission
Drums – Wolfgang FlürVoice – Nobuko Sugai
4:32
2 Kompod 4:05
3 Saturday Night Worldcup Fieber 4:19
4 Schunkel 5:00
5 Gocard 3:54
6 Kanu 5:57
7 Bib 5:59
8 Schlecktron 4:59
9 Preprise 1:35
10 Papa, Antoine
Pedal Steel Guitar – Bodo Staiger
6:51
11 Omnibuzz 4:33
12 Hallo 3:59
13 Die Innere Orange
Narrator – Harald Sack Ziegler
12:38

Companies, etc.

Credits

Notes

Recorded with Dilbo Roundsystem. Published by Warner/Chappell.
Licensed from Too Pure (PURE 48 CD). In jewel case.

Barcode and Other Identifiers

  • Barcode (Text): 5 016554 704825
  • Barcode (String): 5016554704825
  • Matrix / Runout: [DADC Austria logo] A0000018132-0101 21 A2
  • Mastering SID Code: IFPI L551
  • Mould SID Code: IFPI 94D9
  • Rights Society: GEMA
  • Label Code: LC 5661

Other Versions (5 of 9) View All

Cat# Artist Title (Format) Label Cat# Country Year
PURE 48 Mouse On Mars Iaora Tahiti(LP, Album) Too Pure PURE 48 UK & Europe 1995 Sell This Version
Pure CD 48 Mouse On Mars Iaora Tahiti(CD, Album, RE) Too Pure Pure CD 48 US 1998 Sell This Version
TKCB-71278 Mouse On Mars Iaora Tahiti(CD) Tokuma Japan Communications TKCB-71278 Japan 1997 Sell This Version
Si14 Mouse On Mars Iaora Tahiti(Cass) Sound Improvement Si14 Poland 2000 Sell This Version
ADDCD021 Mouse On Mars Iaora Tahiti(CD, Album) Addiction Records, Too Pure ADDCD021 Australia 1995 Sell This Version

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January 20, 2003
Mouse On Mars: Andi Toma, Jan St. Werner ;Nobuko Sagai (vocals); Wolfgang Flur, Dodo Nkishi (drums). This is the follow-up to Mouse On Mars's 1994 debut VULVALAND, finds the band's multi-textured techno-pop refined to a high art. The German-based duo takes its cue from its Krautrock forebears, using spacey, insistent beats and grooves as an anchor for its smooth analogue language and digital chittering. The first two tracks, "Stereomission" and "Kompod," are expansive, loping compositions founded on fluid, burbling basslines. "Achunkel" sounds like ghosts playing drums in a cybernetic junkyard. "Bib" plows a swirling ambient vortex with pulse-quickening techno rhythms. Must be their best.