Nick Cave & The Bad Seeds – The Boatman's Call
Tracklist
A1 | Into My Arms | 4:12 | |
A2 | Lime-Tree Arbour | 2:56 | |
A3 | People Ain't No Good | 5:40 | |
A4 | Brompton Oratory | 4:07 | |
A5 | There Is A Kingdom | 4:53 | |
A6 | (Are You) The One That I've Been Waiting For? | 4:05 | |
B1 | Where Do We Go Now But Nowhere? | 5:44 | |
B2 | West Country Girl | 2:44 | |
B3 | Black Hair | 4:11 | |
B4 | Idiot Prayer | 4:19 | |
B5 | Far From Me | 5:31 | |
B6 | Green Eyes | 3:32 |
Companies, etc.
- Phonographic Copyright ℗ – Mute Records Ltd.
- Copyright © – Mute Records Ltd.
- Published By – Mute Song Ltd.
- Marketed By – [PIAS]
- Manufactured By – [PIAS]
- Distributed By – [PIAS]
- Recorded At – Abbey Road Studios
- Recorded At – Sarm West Studios
- Mixed At – The Church, London
- Pressed By – Optimal Media GmbH – BE50955
Credits
- Artwork [Art] – Minus*
- Band [The Bad Seeds Are:] – Blixa Bargeld, Conway Savage, Jim Sclavunos, Martyn P. Casey, Mick Harvey, Thomas Wydler, Warren Ellis
- Engineer – Paul Corkett
- Engineer [Assistant - Abbey Road] – Paul Hicks
- Engineer [Assistant - Sarm West] – Paul Wright
- Mixed By – Flood
- Mixed By [Assistant] – Chris Scard
- Photography By [Back Cover] – Steve Gullick
- Photography By [Front Cover] – Anton Corbijn
- Producer – Flood, Nick Cave & The Bad Seeds
- Written-By, Lyrics By – Nick Cave
Notes
Both band name and album title on front cover have a gloss varnish, causing them to be prominent on the otherwise matte sleeve.
This contrasts with the entirely matte sleeve of the US release.
Comes with colour printed lyric inner sleeve.
Recordings engineered at Abbey Road, London in July '96. Further recordings at Sarm West, London.
Mixed at The Church, London in September '96
Published by Mute Song Ltd
Manufactured, marketed and distributed by [PIAS].
Made in the EU.
℗ 2011 Mute Records Ltd, a BMG Company.
© 2014 Mute Records Ltd, a BMG Company.
This contrasts with the entirely matte sleeve of the US release.
Comes with colour printed lyric inner sleeve.
Recordings engineered at Abbey Road, London in July '96. Further recordings at Sarm West, London.
Mixed at The Church, London in September '96
Published by Mute Song Ltd
Manufactured, marketed and distributed by [PIAS].
Made in the EU.
℗ 2011 Mute Records Ltd, a BMG Company.
© 2014 Mute Records Ltd, a BMG Company.
Barcode and Other Identifiers
- Barcode (Text): 5 414939 711015
- Barcode (Scanned): 5414939711015
- Matrix / Runout (Etched Runout Side A, variant 1): LPSEEDS10 BE50955-01 A1
- Matrix / Runout (Etched Runout Side B, variant 1): LPSEEDS10 BE50955-01 B1
- Matrix / Runout (Etched Runout Side A, variant 2): LPSEEDS10 BE50955-01 A1 ⑁╳
- Matrix / Runout (Etched Runout Side B, variant 2): LPSEEDS10 BE50955-0- 3- ⑁⏐
- Rights Society: SABAM / BIEM
- Label Code: LC05834
Other Versions (5 of 103)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | The Boatman's Call (CD, Album) | Mute | CD Stumm 142 | UK | 1997 | ||
The Boatman's Call (CD, Album) | [PIAS], Mute | 391.0142.020, CD Stumm 142 | Benelux | 1997 | |||
The Boatman's Call (CD, Album) | Reprise Records, Mute | 9 46530-2 | US | 1997 | |||
The Boatman's Call (CD, Album) | Mute, Mute, Mute | CDStumm142, INT 846.936, 7243 4 84444 2 4 | Germany | 1997 | |||
Recently Edited | The Boatman's Call (CD, Album) | Liberation Records, Liberation Records, Mute, Mute | TVD93475, RMD53475 | Australia | 1997 |
Recommendations
Reviews
- Edited 4 months agoSounds okay but not better than the Tidal Flac stream which sounds much better. Mine is littered with noise and the odd pop even after two ultrasonic cleans. Disappointing for a quiet album. Why couldn’t this get the Murder Ballads treatment.
- One of the most consistent albums. Beautiful, unique, and touching. Brilliant lyrics and arrangements. Truly a wonderful album. Utterly phenomenal artistry!
- I own a Degritter. I cleaned this record twice, and it sounds really, really great. I would love to know its pressing/mastering details as it sounds fat, quiet, rich, and perfect... Nick's voice is A++..... I'm not a huge Nick Cave fan, but I love this album in every way.
I would love to know, is there a better pressing? If so, which one? I would love to hear it. - Edited 6 months agoRecord needs a really thorough ultrasonic clean - at least twice! Mastering / production / mix is fantastic. Cave is at his best on this release.
- Not dead silent, but quite so. Really, it's not inky black, there is a minimum of crackle, but I am not complaining: this is a very quiet album where even a minimum of noise would be distracting, and this pressing doesn't disappoint at all. Provided that you get a good copy, of course: I had the return the first one because it was unacceptable. The one I have now is very very good.
- Some surface noise, but not that annoying, in my opinion. Maybe the record need to be clean a little bet. I weighed the record and it's approximately 180gr, even if it's not specifed in this version's description.
- Have to agree with the comments below. There is a floor of surface noise/static throughout this pressing. Very disappointing for such a great album. Might not be as noticeable on a less detailed system. It’s almost unlistenable with tube amps and a moving coil cartridge.
- This is a terrible pressing. The mids sound scooped, the surface noise is constant and the overall quality feels flimsy. I would go with the original pressing for this album.
- My copy is entirely correct with this release, except: Side A matrix is: 3G55362-01 A4. Any explanation for this?
Release
For sale on Discogs
Sell a copy72 copies from $21.17
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