Northend* Featuring Michelle Wallace ‎– Happy Days

Label:
Emergency Records ‎– EMDS 6520
Format:
Vinyl, 12", 33 ⅓ RPM
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

A Happy Days
Featuring – Michelle Wallace
7:55
B Tee's Happy 6:15

Companies, etc.

Credits

Notes

©&℗ 1981 Emergency Records & Filmworks
Mastered at Frankford/Wayne New York
Made in U.S.A.

Barcode and Other Identifiers

  • Rights Society: ASCAP
  • Matrix / Runout (A-Side Runout Etching): EMDS-6520-A MASTERING BY FRANKFORD/WAYNE NEW YORK Herbie :v) Looking Good Angie ✩ SMK
  • Matrix / Runout (B-Side Runout Etching): EMDS-6520-B MASTERING BY FRANKFORD/WAYNE NEW YORK Herbie :v) SMK

Other Versions (5 of 9) View All

Cat# Artist Title (Format) Label Cat# Country Year
RAMSH 12-3052 Northend* Featuring Michelle Wallace Northend* Featuring Michelle Wallace - Happy Days(12", Single) Rams Horn Records RAMSH 12-3052 Netherlands 1981 Sell This Version
GS-512 Northend* Featuring Michelle Wallace Northend* Featuring Michelle Wallace - Tee's Happy / Happy Days(12", RE) Emergency Records GS-512 US 1986 Sell This Version
B-20.1186 Northend* Featuring Michelle Wallace Northend* Featuring Michelle Wallace - Happy Days / Tee's Happy(12", RE) Grind B-20.1186 Spain 1987 Sell This Version
EMDS 6520 Michelle Wallace Happy Days(12", TP) Emergency Records EMDS 6520 US 1981 Sell This Version
6025 287 Northend* Happy Days(7") Mercury 6025 287 Italy 1981 Sell This Version

Recommendations

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ballmouse

ballmouse

February 19, 2015
The melody on this track is reminiscent of that from The Beginning of the End's "When She Made Me Promise".
VortexBoy

VortexBoy

March 3, 2012
Does anyone know what the lyrics (or the chorus?) are near the end of the record?
That's the lyrics that start with "These are....."
I just haven't been able to work them out, even after all these years.
overlordr

overlordr

March 12, 2008
The "evolution" of these two tracks into "Holiday" by Madonna is obvious. One John Benitez apparently spun this frequently in a club Madonna spent a lot of time in in 1982, so Arthur Baker might have a bit of a beef with Jellybean. The flip side has most vocals missing (it resembles the A-side only right at the end) and plays up the great vibraphone and guitar work in the mix, which just builds and builds to the end--this is no mere dub mix. Flip it, play the B-side first, and you will doubly enjoy this hot disc.