Opeth ‎– Pale Communion

Label:
Roadrunner Records ‎– RR7573-2, Roadrunner Records ‎– 1686-175732, Roadrunner Records ‎– 1686-17573-2
Format:
CD, Album
Country:
Released:
Genre:
Style:

Companies, etc.

Credits

Notes

Standard jewel case version.
Pre-orders on Omerch came with a coaster and extra booklet (signed).

Made in the E.U.

Barcode and Other Identifiers

  • Barcode: 0 16861 75732 8
  • Barcode (Scanned): 016861757328
  • Matrix / Runout (Variant 1): 168617573-2 V01 QM
  • Mastering SID Code (Variant 1): IFPI L016
  • Mould SID Code (Variant 1): IFPI 055S
  • Matrix / Runout (Variant 2): 168617573-2 V01 QWM
  • Mastering SID Code (Variant 2): IFPI L016
  • Mould SID Code (Variant 2): IFPI 05L2
  • Matrix / Runout (Variant 3): [W logo] 168617573-2 V01 QWM
  • Mastering SID Code (Variant 3): IFPI L016
  • Mould SID Code (Variant 3): IFPI 05R6
  • Rights Society: GEMA/BIEM
  • Label Code: LC09231

Other Versions (5 of 23) View All

Cat# Artist Title (Format) Label Cat# Country Year
1686-175731 Opeth Pale Communion(2xLP, Album, Ltd, 180) Roadrunner Records 1686-175731 US 2014 Sell This Version
none Opeth Pale Communion(Blu-ray, Blu-ray-A, Album, RP) Roadrunner Records none UK, Europe & US 2014 Sell This Version
1686-175735 Opeth Pale Communion(CD, Album + Blu-ray, Album, Multichannel + Dlx) Roadrunner Records 1686-175735 US 2014 Sell This Version
HD016861754402 Opeth Pale Communion(8xFile, WAV, Album, 96k) Roadrunner Records HD016861754402 Europe 2014
1686-175732 Opeth Pale Communion(CD, Album) Roadrunner Records 1686-175732 US 2014 Sell This Version

Recommendations

Reviews Show All 4 Reviews

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Nekro666

Nekro666

April 30, 2018
edited 9 months ago
So how can I tell which is The version to get? I want the Lp but don’t want the crap pressing.
ole.grung

ole.grung

October 9, 2017
This is something else. Starting off with a weird mix of drums, breakdowns, hammond organ and whatnot, it becomes a great track with beautiful soloing. One of my favourite Opeth tracks(Eternal Rains Will Come).”Moon above, sun below” is another favourite, with great acoustic parts, and when Mikael hits those high notes it’s really stellar. But to me, “River” is the best song off the album. Not that it’s complex, but the opposite. Beautiful vocals, and a very distinct guitar sound. And “Faith In Others” is perhaps the saddest song Opeth has ever written.
Huub123

Huub123

September 25, 2014
edited over 4 years ago
I've come to the conclusion that Opeths Pale Communion is for me the best album of 2014 so far, and the best Opeth album till date. Dark, profound, melancholic, melodic. This band has come a long way since their death metal/progressive rock struggle which often sounded flakey and incoherent (imho). This album is fascinating from beginning to end. Did I mention the vocal harmonies that remind me of Abba? (They are swedish band, you know) A masterpiece.
progfan97402

progfan97402

August 29, 2014
I realize Opeth's last endeavor Heritage was bound to alienate many longtime fans. Even Mikael Åkerfeldt would admit to that. Especially when he drops those growling vocals and go a more prog oriented route. It's not that they went the Yes or Genesis route, more of a heavier end of prog, included some Mellotron and other vintage keyboards, and perhaps a tamer approach than before. But whatever fans they lost with Heritage would probably cry "treason" with Pale Communion. Åkerfeldt still loses the growling vocals, the band goes further into prog territory, and to many long time fans worst nightmare: the presence of strings on some of the songs. But as a lover of prog rock in general, Opeth succeeds, and in fact makes a better album than Heritage, as it's less disjointed, has a better flow, and better compositions overall. "Eternal Rains Will Come" sounds like a proggy version of Crosby, Stills & Nash, with some nice organ from newcomer Joakim Svalberg (who already played on one song on Heritage). Mellotron is also used. "Cusp of Eternity" has a heavier feel, so there is some of that metal still left, but no growling vocals. "Moon Above, Sun Below" is a lengthier piece alternative between heavier passages and gentler, more acoustic passages. "Goblin" is in honor of the Italian band Goblin (most famously heard on Dario Argento horror flicks like Suspiria). The band really got that Goblin sound down, even Joakim Svalberg attempting Claudio Simonetti's style of keyboard playing. "Voice of Treason" has a more Middle Eastern feel to it, while the heavily orchestrated "Faith in Others" is a nice closing piece. As I suspected here, it's the same strings heard on Steven Wilson's The Raven That Refused to Sing, as it too was conducted by Dave Stewart of Egg, Hatfield & the North, National Health (but not the Eurythmics for which a different Dave Stewart is responsible for, and often called David A. Stewart to avoid confusion with the Canterbury prog keyboardist). I don't think I was too surprised the Opeth would end up playing more genuine prog rock. Mikael Åkerfeldt had always been open about his love of prog rock (as much as he does for metal) so he's letting his prog side show more in these last couple of efforts. All I have to say, if you love death metal, you'll probably end up disappointed with Pale Communion. If you love prog, you'll be loving this.