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Tracklist Hide Credits
| 1 | –Outolintu | Keep On Keepin On | 6:49 |
| 2 | –Outolintu | Human Boing (Remix) | 6:07 |
| 3 | –Outolintu |
The 6th ExtinctionLyrics By – Master Bates |
5:27 |
| 4 | –Outolintu | Face The Music | 5:41 |
| 5 | –Outolintu | Polkadots In Da Hood | 6:37 |
| 6 | –Outolintu | Woozy Wiggle | 1:46 |
| 7 | –Outolintu | Teenage Eyedolls | 7:30 |
| 8 | –Rip Van Hippy |
Black Lodge (Superposition C)Remix – Outolintu |
6:10 |
| 9 | –Outolintu | Soft Shoe Shuffler | 5:57 |
| 10 | –Outolintu | A World Of Delusion | 8:59 |
| 11 | –Outolintu |
All EarsLyrics By – Master Bates |
1:36 |
Companies, etc.
- Mastered At – 4CN Studios
- Phonographic Copyright (p) – Sonic Dragon Records
- Copyright (c) – Sonic Dragon Records
Credits
- Arranged By – Outski-O
- Artwork, Design [Cover D-Sign] – Izwoz
- Electric Guitar – Oskar Konrad (tracks: 1, 9, 10)
- Mastered By – Tim Schuldt
Notes
(P) and (C) Sonic Dragon Records 2007
Every track zapp!ed & kablammo!ed by Jack Alien Kenedi on his eco-friendly spaceship, The Heart Of Mould, & indiscreetly transfered to The Halfwayhut, Finlalaland.
Despotic bleeping, skipping & flipping by O.Lintu.
Tracks 1, 9, 10: Eel-Ectric G-Tar played by Oskar Konrad.
Tracks 3, 11: lyrical bust-out & generally awkward moves (as usual) by Master Bates.
Additional g-tar & vocal chippedy-chopping & arrangement by Outski-O.
Track 8: original version by Rip Van Hippy, released on Psy-Harmonics; remix by Yours Truly.
Mastered at 4CN-Studios.
Artwork & Cover D-Sign by www.izwoz.com.au
Every track zapp!ed & kablammo!ed by Jack Alien Kenedi on his eco-friendly spaceship, The Heart Of Mould, & indiscreetly transfered to The Halfwayhut, Finlalaland.
Despotic bleeping, skipping & flipping by O.Lintu.
Tracks 1, 9, 10: Eel-Ectric G-Tar played by Oskar Konrad.
Tracks 3, 11: lyrical bust-out & generally awkward moves (as usual) by Master Bates.
Additional g-tar & vocal chippedy-chopping & arrangement by Outski-O.
Track 8: original version by Rip Van Hippy, released on Psy-Harmonics; remix by Yours Truly.
Mastered at 4CN-Studios.
Artwork & Cover D-Sign by www.izwoz.com.au
Other Versions (3 of 3) View All
| Cat# | Artist | Title (Format) | Label | Cat# | Country | Year | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| none | Outolintu | Odd Man Out (12xFile, WAV, Album, RE) | Halfwayhut Productions, Faerie Dragon Records | none | Finland | 2011 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| none | Outolintu | Odd Man Out (12xFile, FLAC, Album, RE) | Halfwayhut Productions, Faerie Dragon Records | none | Finland | 2011 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| none | Outolintu | Odd Man Out (12xFile, MP3, Album, RE, 320) | Halfwayhut Productions, Faerie Dragon Records | none | Finland | 2011 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Recommendations
Reviews Show All 3 Reviews
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trwolfe
July 5, 2015
This is just one of those albums that nothing else sounds like. Like Vataff Project, Outolintu is in a class of his own. Nothing quite like this is out there in my admittedly narrow focus on electronic music. If there is, then please share it with me. But you simply have to hear this album all the way through. It's intricate, chaotic, quirky, gorgeous, and just a whole hell of a lot of fun. Get it in as high as quality as you can and play it through some nice headphones. Can't go wrong with this.
WonderSoil
April 8, 2020Music wise, this is like early Haltya in a mid-tempo suit. Some of this is brilliant, some decent. Outolintu had a great sense for melodies and a truly unique hardware sound palette, that is greatly missed in the psychedelic community.