Paradise Lost ‎– Draconian Times

Music For Nations ‎– MFN 184, Music For Nations ‎– mfn 184
2 × Vinyl, LP, Album

Tracklist Hide Credits

A1 Enchantment 6:04
A2 Hallowed Land 5:03
A3 The Last Time 3:23
B1 Forever Failure
Dialog [Spoken] – Charles Manson
B2 Once Solemn 3:03
B3 Shadowkings 4:42
C1 Elusive Cure 3:21
C2 Yearn For Change 4:19
C3 Shades Of God 3:54
D1 Hands Of Reason 3:57
D2 I See Your Face 3:16
D3 Jaded 3:26

Companies, etc.



℗ 1995 music for nations © 1995 music for nations.

Recorded at Great Linford Manor and Ridge Farm Studios, England January-March 1995.
Mastered at Townhouse Studios, London.
Printed inner sleeves with photos, lyrics, credits.

made in england.

MFN 184 is on the disc label.
mfn 184 is on the spine, on the back cover and on the inner sleeves.

Spoken dialogue on 'Forever Failure' - 'Charles Manson - The Man Who Killed The Sixties' produced by
Box Productions for Channel Four Television Corporation.

Barcode and Other Identifiers

  • Barcode: 5016583118419
  • Label Code: LC 5661
  • Matrix / Runout (A side): MFN - 184 - A DMM
  • Matrix / Runout (B side): MFN - 184 - B DMM
  • Matrix / Runout (C side): MFN - 184 - C DMM
  • Matrix / Runout (D side): MFN - 184 - D DMM

Other Versions (5 of 55) View All

Cat# Artist Title (Format) Label Cat# Country Year
82876829162, 82876 829162 Paradise Lost Draconian Times(CD, Album, RE, RP) Music For Nations, Sony BMG Music Entertainment 82876829162, 82876 829162 Europe Unknown Sell This Version
VILELP298, GREL298 Paradise Lost Draconian Times(2xLP, Album, Ltd, Num, RE, Bur) Peaceville, Peaceville VILELP298, GREL298 UK 2010 Sell This Version
CDMFN 184 Paradise Lost Draconian Times(CD, Album) Music For Nations CDMFN 184 Australia 1995 Sell This Version
PCCY-00756 Paradise Lost Draconian Times(CD, Album) Music For Nations PCCY-00756 Japan 1995 Sell This Version
CDMFNX 184 Paradise Lost Draconian Times(Box, S/Edition, Col + CD, Album, Dig) Music For Nations CDMFNX 184 UK 1995 Sell This Version


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June 19, 2011
In my opinion commercially the most overrated work from PL.
Which I don't quite understand, because ICON was allready catchy in a similar way.
Maybe it's because DT combines both sides of their music in a more plausible way:
The tough doom Side with the romantical Goth Rock side.