Paul Beaver & Bernard L. Krause* ‎– The Nonesuch Guide To Electronic Music

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Tracklist

I. Peace Three 3:08
II. Signal Generators
A. Sine Waveform
1. Slow-Motion Audible Example 0:05
2. Composition 0:50
3. Harmonic Synthesis 0:33
4. Non-Harmonic Synthesis 0:37
B. Sawtooth Waveform
1. Slow-Motion (Negative- And Positive-Going) 0:12
2. Composition 0:34
C. Rectangular Waveform
1. Slow-Motion Audible Example (1/8-1/2) 0:28
2. Composition (Using 1/8, 1/7, 1/3, 1/2) 0:35
D. Triangular Waveform
1. Slow-Motion Audible Example 0:05
2. Composition 0:20
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E. White Sound Composition 0:13
III. Control Generators
A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion 0:08
B. Sequential Voltage Sources. Composition 1:55
IV. Frequency Modulation
A. Keyboard Control
1. 12-Tone 0:32
2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves) 0:40
3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave) 0:31
4. Portamento 0:23
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B. Ribbon Control 0:30
C. Periodic
1. Vibrato Ⓢ (Speed Increases As Pitch rises) 0:28
2. Sine-Higher Frequency 0:27
3. Sawtooth-Swept 0:38
4. Rectangular 1/2-Swept L2 0:32
5. Triangular-Swept 0:31
D. Periodics Combined
1. 3 Square Waves At Different Frequencies 0:28
2. 3 Triangular Waves At Different Frequencies 0:37
4 Different Waveforms 2L 2N 2V 2S At Different Frequencies 0:46
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E. White Sound 0:12
F. Transient
1. Up An Octave, Back To Pitch 0:17
2. Up A 3rd, Back To Pitch 0:07
3. Down An Octave, Back To Pitch 0:09
4. Down A 3rd, Back To Pitch 0:13
V. Amplitude Modulation
A. Keybaord 0:13
B. Ribbon Controller 0:10
C. Periodic
1. Tremolo 0:25
2. Sine-Higher Frequencies (S Sweeping S) 0:47
3. Sawtooth (Negative- And Positive-Going Swept) 1:20
4. Rectangular-L2 Swept 0:28
5. Triangular-Swept 0:50
D. Periodics Combined
1. 4 Square 0:44
2. 3 Triangular 0:23
3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ 0:23
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E. White Sound 0:38
F. Transient
1. Slow 0:08
2. With Rising Pitch 0:15
3. ∧∧∧∧∧ 0:14
VI. Ring Modulation
A. Sine Waves
1. Series Of Sub-Audible Constants 2:00
2. Tune In Parallel 0:40
3. Tuned In Opposite Direction 0:30
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B. Sawtooth 0:33
C. Rectangular L2 0:39
VII. Filtering
A. White Sound - With Fixed Filters Selected 3rd Octave 0:25
B. White-Sound-Tuned Filters
1. Broad 0:43
2. Sharp 0:25
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C. Low-Frequency Sawtooth-Tuning Through Harmonics 1:05
D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics 0:50
E. Swept With Ribbon Controller 0:40
F. Periodic
1. Sine-Timbre Vibrato Effect 0:25
2. Sine-Variable Rate And Depth 0:36
3. Sawtooth (Descending And Ascending) 0:50
4. Rectangular
G. Transient (Sawtooth With Transient Controlled Filter)
1. ----------------- 0:12
2. ----------------- 0:10
3. ------------------ 0:09
4. ------------------ 0:08
VIII. Tape Delay
A. Single Repeat 0:13
B. Multiple Repeat 2:55
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IX. Peace Three (Recap)

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September 9, 2016
referencing The Nonesuch Guide To Electronic Music, 2xLP + Box, HC-73018
not sure anyone knows the importance of this! not saying anything but early drum samples and DnB!